Carl Philipp Emanuel Bach, Barokkanerne, Christian Kjos, Alfredo Bernardini made "Harpsichord Concerto in D Minor, WQ 17: II. Un poco adagio" available on February 14, 2013. Harpsichord Concerto in D Minor, WQ 17: II. Un poco adagio appears to be safe for all ages as it is not explicit. The song is number 8 out of 12 in Empfindsamkeit by Carl Philipp Emanuel Bach, Barokkanerne, Alfredo Bernardini. Going off of the ISRC code of this track, we detected that the origin of this track is from Norway. In terms of popularity, Harpsichord Concerto in D Minor, WQ 17: II. Un poco adagio is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Harpsichord Concerto in D Minor, WQ 17: II. Un poco adagio by Carl Philipp Emanuel Bach, Barokkanerne, Christian Kjos, Alfredo Bernardini is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-flat major | Franz Schubert, Khatia Buniatishvili | F♯ Major | 0 | 2B | 69 BPM | ||
Keyboard Sonata in C Minor, Wq. 50/6, H. 140 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | C Major | 1 | 8B | 113 BPM | ||
Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 2: No. 2. Rezitativ, "Dort seh' ich aus den Toren" (Baritone) | Carl Philipp Emanuel Bach, Karl Wilhelm Ramler, Il Gardellino, Bart Van Reyn, Andreas Wolf | D Major | 4 | 10B | 124 BPM | ||
Minuetto I-II, Wq. 112/9 (116/11), H. 167 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | D Major | 1 | 10B | 141 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
6 Melodies, Op. 4: No. 2. Melodie in C-Sharp Minor | Fanny Mendelssohn, Betty Ann Miller | D♭ Minor | 0 | 12A | 67 BPM |
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