"The Planets, Op. 32: I. Mars, the Bringer of War" by St. Louis Symphony had its release date on March 3, 2009. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Orchestral Glory: Saint Louis Symphony Orchestra plays Wagner, Gershwin, Holst and more". In this album, this song's track order is #11. The Planets, Op. 32: I. Mars, the Bringer of War is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Planets, Op. 32: I. Mars, the Bringer of War by St. Louis Symphony having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
First Movement Molto Moderato | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | D Major | 2 | 10B | 74 BPM | ||
Third Movement Moderate Pesante | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | G Minor | 1 | 6A | 79 BPM | ||
Respighi: Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | F Major | 4 | 7B | 90 BPM | ||
Horn Concerto in B flat, Op. 91: 2. Andante | Reinhold Glière, Hermann Baumann, Gewandhausorchester, Kurt Masur | E♭ Major | 0 | 5B | 62 BPM | ||
Die Walküre: Magic Fire Music | Richard Wagner, George Szell, Cleveland Orchestra | G Major | 2 | 9B | 80 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 5. Rondo (Allegro) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 83 BPM | ||
Alborada del gracioso, M. 43 - Orchestral Version | Maurice Ravel, Sherman Walt, Boston Symphony Orchestra, Seiji Ozawa | D Major | 1 | 10B | 118 BPM | ||
Symphony Fantastique in C Major, Op 14: III. Scene aux champs - Adagio | Hector Berlioz, Alberto Lizzio, Süddeutsche Philharmonie | F Major | 1 | 7B | 73 BPM | ||
Tristan und Isolde - Concert Version: Liebestod | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 94 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM |