"Passio Domini nostri Jesu Christi secundum Joannem, Scene 5: "Cum ergo audisset Pilatus hunc sermonem, magis timuit"" by Francesco Feo, John the Evangelist, La Divina Armonia, Lorenzo Ghielmi, Mirko Guadagnini, Doron Schleifer, Krystian Adam had its release date on 2009. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Passio Domini nostri Jesu Christi secundum Joannem, Scene 5: "Cum ergo audisset Pilatus hunc sermonem, magis timuit"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "St John Passion". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Belgium. Based on our statistics, Passio Domini nostri Jesu Christi secundum Joannem, Scene 5: "Cum ergo audisset Pilatus hunc sermonem, magis timuit"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Passio Domini nostri Jesu Christi secundum Joannem, Scene 5: "Cum ergo audisset Pilatus hunc sermonem, magis timuit" by Francesco Feo, John the Evangelist, La Divina Armonia, Lorenzo Ghielmi, Mirko Guadagnini, Doron Schleifer, Krystian Adam having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture in G Minor, Z. 772 | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 59 BPM | ||
L'Inferno: Aria: Un momento di contento - Cantata For Alto and B.c. | Francesco Feo, Elisabetta Pallucchi, Ensemble Romabarocca, Lorenzo Tozzi | F♯ Minor | 0 | 11A | 90 BPM | ||
Offerte non encore exécutée, H.522 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 79 BPM | ||
Violin Sonata in E Minor, Op.5 No. 8: I. Preludio (Largo) | Arcangelo Corelli, Enrico Onofri | D Minor | 0 | 7A | 78 BPM | ||
Pausanius, the Betrayer of his Country. (1695), Z585 - original version: Sweeter Than Roses | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | F♯ Major | 1 | 2B | 136 BPM | ||
Violin Concerto in D Major, Op. 7, No. 2: II. Adagio | Jean-Marie Leclair, Elizabeth Wallfisch, Nicholas Kraemer | B♭ Minor | 0 | 3A | 115 BPM | ||
Concerto No. 5 In A Major RV 519: I. Allegro (Vivaldi) | Accademia Bizantina | A♭ Major | 2 | 4B | 131 BPM | ||
Concerto for Violoncello and Orchestra in D major: III. Larghetto, con poco moto | Leonardo Leo, Sol Gabetta, Andrés Gabetta | B Minor | 0 | 10A | 77 BPM | ||
Il fine dell'uomo: Aria: Fiumicel, dove ne vai? (Elpino) - Cantata For Soprano, Alto and B.c. | Francesco Feo, Lucia Casagrande Raffi, Elisabetta Pallucchi, Ensemble Romabarocca, Lorenzo Tozzi | D Major | 1 | 10B | 97 BPM | ||
Stabat Mater: Eja Mater, fons amoris… Fac, ut ardeat … Sancta Mater… Tui nati vulnerati | Agostino Steffani, Cecilia Bartoli, Franco Fagioli, Coro della Radiotelevisione Svizzera, Daniel Behle, Julian Prégardian, I Barocchisti, Diego Fasolis | G Minor | 3 | 6A | 87 BPM |