"Die Walküre / Dritter Aufzug: "Loge, hör! Lausche hieher!"" by Richard Wagner, Hans Hotter, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 2012. With this song being about 5 minutes long, at 4:53, "Die Walküre / Dritter Aufzug: "Loge, hör! Lausche hieher!"" by Richard Wagner, Hans Hotter, Wiener Philharmoniker, Sir Georg Solti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Die Walküre / Dritter Aufzug: "Loge, hör! Lausche hieher!" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Walküre / Dritter Aufzug: "Loge, hör! Lausche hieher!" by Richard Wagner, Hans Hotter, Wiener Philharmoniker, Sir Georg Solti having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in E-Flat Major - "Symphony of a Thousand" / Pt. 2: Final Scene From Goethe's "Faust": "Alles Vergängliche" - Live From Philharmonie, Berlin | Gustav Mahler, Cheryl Studer, Sylvia McNair, Anne Sofie von Otter, Rosemarie Lang, Peter Seiffert, Bryn Terfel, Jan-Hendrik Rootering, Berliner Philharmoniker, Claudio Abbado, Rundfunkchor Berlin, Prague Philharmonic Chorus, Toelzer Knabenchor | F Minor | 2 | 4A | 75 BPM | ||
Night on Bald Mountain | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | D Major | 2 | 10B | 69 BPM | ||
Strauss, R: 3 Gesänge älterer deutscher Dichter, Op. 43: II. Muttertändelei | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | F Major | 1 | 7B | 78 BPM | ||
Káta Kabanová / Act 2: Jste to vy, Katerino Petrovno? | Leoš Janáček, Peter Dvorsky, Elisabeth Söderström, Libuse Marova, Wiener Philharmoniker, Sir Charles Mackerras | B Major | 2 | 1B | 140 BPM | ||
Stabat Mater, FP 148: 5. Quis est homo | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A Minor | 3 | 8A | 97 BPM | ||
4 Sacred Pieces (Quattro pezzi sacri): Stabat Mater | Giuseppe Verdi, Cheryl Studer, Wiener Philharmoniker, Claudio Abbado, Vienna State Opera Chorus, Norbert Balatsch | C Major | 0 | 8B | 79 BPM | ||
Rusalka, Op. 114 / Act 1: Tvoje moudrost vsechno tusi | Antonín Dvořák, Renée Fleming, Dolora Zajick, Czech Philharmonic Orchestra, Sir Charles Mackerras | E Major | 1 | 12B | 98 BPM | ||
Clarinet Concerto in A Major, K. 622: III. Rondo (Allegro) | Wolfgang Amadeus Mozart, Alfred Prinz, Wiener Philharmoniker, Karl Böhm | D Major | 1 | 10B | 140 BPM | ||
Rigoletto: Overture (Preludio) | Giuseppe Verdi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli | G Major | 0 | 9B | 101 BPM | ||
Die Fledermaus / Act II: Nr. 10 Csárdás: "Klänge der Heimat" | Johann Strauss II, Julia Varady, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 82 BPM |
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