Leonard Bernstein, Katia Labèque, Marielle Labèque's 'Songs From West Side Story: One Hand, One Heart' came out on June 27, 1989. The duration of Songs From West Side Story: One Hand, One Heart is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Songs From West Side Story: One Hand, One Heart's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 18 in Bernstein: Symphonic Dances and Songs from West Side Story by Leonard Bernstein, Katia & Marielle Labèque. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Songs From West Side Story: One Hand, One Heart's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Songs From West Side Story: One Hand, One Heart by Leonard Bernstein, Katia Labèque, Marielle Labèque is Allegro (fast, quick, and bright), since this song has a tempo of 152 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM | ||
"West Side Story" - Symphonic Dances: IV. Mambo - Live | Leonard Bernstein, Los Angeles Philharmonic | C Major | 1 | 8B | 117 BPM | ||
Daphnis et Chloé, M. 57 / Première partie: Introduction - Lent - Très modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | B Minor | 0 | 10A | 92 BPM | ||
English Folk Song Suite: 2. Intermezzo: My Bonny Boy | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 0 | 5A | 64 BPM | ||
Scheherazade, Op. 35: II. Lento - Andantino "The Legend of the Kalendar Prince" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 59 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
On the Waterfront Suite: IV. Moving Forward, with Warmth (Live) | Leonard Bernstein, Royal Liverpool Philharmonic Orchestra, Christian Lindberg | C Major | 1 | 8B | 92 BPM | ||
Mass / X. Credo: V. Trope: "I Believe in God" - Live | Leonard Bernstein, Pearl Sun, Philadelphia Orchestra, Yannick Nézet-Séguin, Street Chorus Cast, Westminster Symphonic Choir, Temple University Concert Choir | F Major | 1 | 7B | 91 BPM | ||
Le Carnaval des Animaux: Grand Fantaisie Zoologique: IX. Le Coucou au fond des bois | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | E Major | 0 | 12B | 137 BPM |
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