"Lakmé, Act II (Sung in Russian): Ah ! Par les dieux inspirée" by Léo Delibes, Nadezhda Kazantseva, Alexei Korolev, Choir of the All-Union Radio, All-Union Radio Symphony Orchestra, Alexander Orlov was released on March 1, 2017. With Lakmé, Act II (Sung in Russian): Ah ! Par les dieux inspirée being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 41 in Delibes: Lakmé (Sung in Russian) by Léo Delibes, Sergei Lemeshev, All-Union Radio Symphony Orchestra, Alexander Orlov. Going off of the ISRC code of this track, we detected that the origin of this track is from Czechia. In terms of popularity, Lakmé, Act II (Sung in Russian): Ah ! Par les dieux inspirée is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lakmé, Act II (Sung in Russian): Ah ! Par les dieux inspirée by Léo Delibes, Nadezhda Kazantseva, Alexei Korolev, Choir of the All-Union Radio, All-Union Radio Symphony Orchestra, Alexander Orlov is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 109 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Allegro molto | Wolfgang Amadeus Mozart, Capella Istropolitana, Barry Wordsworth | G Minor | 2 | 6A | 109 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | ||
Sylvia: Act III: Divertissement: Pizzicati | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 127 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
Lakmé / Act 1: "Sous le dôme épais" (Flower Duet) | Léo Delibes, Renée Fleming, Susan Graham, Philharmonia Orchestra, Sebastian Lang-Lessing | B Major | 1 | 1B | 80 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
Lakmé: Flower Duet | Léo Delibes, Olga Kharitonova | C Major | 1 | 8B | 122 BPM |
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