Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor's 'XII sonate a tre o quattro strumenti e basso: Sonata I a 3' came out on 2009. With this song being about 5 minutes long, at 4:51, "XII sonate a tre o quattro strumenti e basso: Sonata I a 3" by Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 12 in Bertali: Prothimia Suavissima by Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, XII sonate a tre o quattro strumenti e basso: Sonata I a 3 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of XII sonate a tre o quattro strumenti e basso: Sonata I a 3 by Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Maria Maddalena, Terza parte: XIII. Se nutri di speranza | Antonio Bertali, Scherzi Musicali, Nicolas Achten, Deborah Cachet, Luciana Mancini, Dávid Szigedvári | C Major | 2 | 8B | 66 BPM | ||
Sonata a 6 in D Minor | Antonio Bertali, Acronym | A♭ Minor | 2 | 1A | 50 BPM | ||
Sonata a tre - Doi violini e trombone con il basso per l'organo | Angel Briceño, Antonio Bertali, Ensemble Affetti Cantabili, Fabrice Millischer | E♭ Minor | 2 | 2A | 74 BPM | ||
Corollarium. Canzon à 5 | Johann Hermann Schein, Ricercar Consort, Philippe Pierlot | G Minor | 2 | 6A | 117 BPM | ||
Partita for Violin and Lute in G Minor, BWV 997r: III. Sarabande | Johann Sebastian Bach, Combattimento | G Minor | 1 | 6A | 88 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): IV. Vivace | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | C Major | 6 | 8B | 170 BPM | ||
Sonate concertate in stil moderno, Book 2: No. 10, Sonata à 3 | Dario Castello, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Psyche, Act I: Overture | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Les Saisons amsusantes, Op. 8: Concerto No. 2, "Les Plaisirs de l'Eté": III. Allegro, "La Caccia" | Nicolas Chédeville, Dorothee Oberlinger | B Major | 3 | 1B | 145 BPM | ||
Symphonia, Kyrie Eleison, Gloria | Antonio Bertali, Girolamo Fantini, Andreas Rauch, Christoph Straus, Giovanni Priuli, Yorkshire Bach Choir, Peter Seymour, Yorkshire Baroque Soloists, London Baroque Orchestra | C Major | 2 | 8B | 125 BPM |
Section: 0.649693489074707
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