"Symphonia, Kyrie Eleison, Gloria" by Antonio Bertali, Girolamo Fantini, Andreas Rauch, Christoph Straus, Giovanni Priuli, Yorkshire Bach Choir, Peter Seymour, Yorkshire Baroque Soloists, London Baroque Orchestra was released on January 1, 1991. Since Symphonia, Kyrie Eleison, Gloria is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 15 in Festal Mass by Christoph Straus, Andreas Rauch, Antonio Bertali, Giovanni Priuli, Girolamo Fantini, Yorkshire Bach Choir, Yorkshire Baroque Soloists, London Baroque Orchestra, Peter Seymour. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Symphonia, Kyrie Eleison, Gloria's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphonia, Kyrie Eleison, Gloria by Antonio Bertali, Girolamo Fantini, Andreas Rauch, Christoph Straus, Giovanni Priuli, Yorkshire Bach Choir, Peter Seymour, Yorkshire Baroque Soloists, London Baroque Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hamburg Symphony No. 5 in B Minor, Wq. 182: II. Larghetto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Trio Sonata in B Minor, Op. 3, No. 3: I. Prélude, Lentement | Louis-Antoine Dornel, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Ciaconna in C Major | Antonio Bertali, Echo du Danube Ensemble | C Major | 2 | 8B | 127 BPM | ||
Sonata a 4 in D Minor | Antonio Bertali, Acronym | C Major | 0 | 8B | 115 BPM | ||
Caccini: Così, perfida Alcina | Francesca Caccini, Christina Pluhar, L'Arpeggiata, Luciana Mancini | F Major | 2 | 7B | 88 BPM | ||
The First Part of Ayres, French, Pollish and others together … with Pavines, Galliards, and Almaines (1605): IV. A Merry Meeting | Tobias Hume, Matteo Cicchitti, Musica Elegentia | D♭ Minor | 0 | 12A | 94 BPM | ||
Trio Sonata in C Major, BuxWV 256: V. Adagio - Allegro | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata VIII a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | D♭ Minor | 2 | 12A | 129 BPM | ||
Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: VI. Allmandt | Dietrich Becker, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Wonner | D♭ Major | 2 | 3B | 79 BPM | ||
Hamburg Symphony No. 3 in C Major, Wq. 182: III. Allegretto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM |
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