Franz Xaver Gruber, The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble's 'Silent Night' had a release date set for September 1, 1991. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Silent Night's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 19 in Bach Choir sing Family Carols by The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Silent Night is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Silent Night by Franz Xaver Gruber, The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bless This House (with Susan Boyle) (Arr. by Simon Lole) | May Brahe, Franz Xaver Gruber, Aled Jones, Tom Rainey, Simon Lole, The New Zealand Sinfonietta | E♭ Major | 4 | 5B | 140 BPM | ||
Les Chansons Des Roses: V. Dirait-On (Morten Lauridsen, piano) | The Singers - Minnesota Choral Artists | D♭ Major | 0 | 3B | 75 BPM | ||
Tumi Ye Wo De Daa | Harmonious Chorale Ghana | D♭ Minor | 6 | 12A | 108 BPM | ||
Ave Generosa | Ola Gjeilo, The Choir of Royal Holloway | G Minor | 2 | 6A | 139 BPM | ||
Requiem: IV. Sanctus | Michael John Trotta, Tenebrae, Nigel Short | E♭ Major | 0 | 5B | 111 BPM | ||
Ave Maria (Arr. by Simon Lole) | Michael Lorenc, Franz Xaver Gruber, Aled Jones, Tom Rainey, Simon Lole, The New Zealand Sinfonietta | E♭ Major | 4 | 5B | 140 BPM | ||
Falling Into Dreams | Mělník Philharmonic Orchestra | G Major | 1 | 9B | 69 BPM | ||
Can you hear me? | Bob Chilcott, Barbara Comes, Ulmer Spatzen Chor, Hans de Gilde | B Major | 1 | 1B | 87 BPM | ||
Blessed be the God and Father | Samuel Wesley, Choir of Clare College, Cambridge, Matthew Jorysz, Graham Ross | E♭ Major | 1 | 5B | 126 BPM | ||
O vos omnes | Tomás Luis de Victoria, Choir of St. Ignatius Loyola, Kent Tritle | C Minor | 1 | 5A | 69 BPM |