On November 24, 2021, the song "Orchestral Suite No. 2 in B Minor, BWV 1067: 7. Badinerie" was released by Johann Sebastian Bach, The English Concert, Trevor Pinnock. With Orchestral Suite No. 2 in B Minor, BWV 1067: 7. Badinerie being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 114 out of 300 in Bach: Thanksgiving Music by Johann Sebastian Bach, Various Artists. Based on our statistics, Orchestral Suite No. 2 in B Minor, BWV 1067: 7. Badinerie's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Orchestral Suite No. 2 in B Minor, BWV 1067: 7. Badinerie by Johann Sebastian Bach, The English Concert, Trevor Pinnock is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: I. Allegro | Cologne Chamber Orchestra, Johann Sebastian Bach | B♭ Major | 2 | 6B | 90 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: 3. Allegro assai | Johann Sebastian Bach, Janine Jansen, Boris Brovtsyn, Cindy Albracht, Frederik Paulsson, Julia-Maria Kretz, Tijmen Huisingh, Monika Urbonaite, Nimrod Guez, Pauline Sachse, Maarten Jansen, Rick Stotijn, Jan Jansen | A Minor | 3 | 8A | 64 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM | ||
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 14, Ich steh an Deiner Krippen hier, BWV 469 | Johann Sebastian Bach, Masaaki Suzuki, Dominik Worner, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | ||
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Sonata for Flute or Violin No. 5 in E Minor, BWV 1034: III. Andante (Transcr. for Mandolin and Continuo by Avi Avital) | Johann Sebastian Bach, Avi Avital, Ophira Zakai, Ira Givol, Shalev Ad-El | G Major | 0 | 9B | 109 BPM |
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