Pablo de Sarasate, David Oistrakh, Igor Oistrakh, Gewandhausorchester, Franz Konwitschny made "Navarra For Two Violins, Op. 33" available on January 1, 2000. Navarra For Two Violins, Op. 33 is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. This song is part of Vivaldi: L'estro armonico Opus 3: Concerto No.8 in A minor R522 by Johann Sebastian Bach, Christopher Hogwood, Davitt Moroney, Christophe Rousset, Colin Tilney, Academy of Ancient Music, David Oistrakh, Igor Oistrakh, Wladimir Yampolsky, Hans Pirschner, Royal Philharmonic Orchestra, Gewandhausorchester Leipzig, Franz Konwitschny. The song's track number on the album is #17 out of 17 tracks. Navarra For Two Violins, Op. 33 is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Navarra For Two Violins, Op. 33 by Pablo de Sarasate, David Oistrakh, Igor Oistrakh, Gewandhausorchester, Franz Konwitschny has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Navarra For Two Violins, Op. 33 being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Five Pieces For Two Violins and Piano: IV. Waltz | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Minor | 1 | 6A | 179 BPM | ||
Elegie, Op. 30: Elegie for Viola and Piano, Op. 30 | Henri Vieuxtemps, Roberto Díaz, Robert Koenig | F Minor | 1 | 4A | 88 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Zigeunerweisen, Op. 20 (version for violin and orchestra): III. Allegro molto vivace | RCA Victor Symphony Orchestra & William Steinberg | A♭ Major | 1 | 4B | 88 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Spanish Dances, Op. 21: No. 1. Malaguena | Pablo de Sarasate, L. Edvin Csury, Bela Simon | D Major | 1 | 10B | 130 BPM | ||
Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen | Franz Liszt, Mariam Batsashvili | A Minor | 1 | 8A | 120 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM |
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