William Byrd, Fretwork's 'Byrd: In nomine a 5 IV' came out on July 1, 2023. The duration of Byrd: In nomine a 5 IV is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Byrd: In nomine a 5 IV's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 24 in Byrd: The Consort Music by William Byrd, Fretwork. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Byrd: In nomine a 5 IV is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Byrd: In nomine a 5 IV by William Byrd, Fretwork is Presto (very, very fast), since this song has a tempo of 182 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasy For 2 Trebles And Bass (From "The Broken Consort") | Matthew Locke, John Holloway, Monika Baer, Martin Zeller | B Major | 1 | 1B | 105 BPM | ||
Mass for 3 Voices: IV. Sanctus | William Byrd, Pro Arte Singers, Paul Hillier | B Minor | 0 | 10A | 83 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Fantazia I in 3 Parts | Henry Purcell, Fretwork | D♭ Minor | 1 | 12A | 102 BPM | ||
Requiem: VI. Agnus Dei | Pierre de la Rue, Dominique Visse, Ensemble Clément Janequin | E♭ Minor | 1 | 2A | 63 BPM | ||
Trattado de glosas: Recercada No. 4, "La gamba" | Diego Ortiz, Piffaro | E♭ Minor | 1 | 2A | 120 BPM | ||
Suite I: Gaillarde | Claude Gervaise, Christian Mendoze | B♭ Major | 2 | 6B | 116 BPM | ||
Joyne Hands | Thomas Morley, Baltimore Consort | C Major | 1 | 8B | 126 BPM | ||
Autant en emporte | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | A♭ Minor | 0 | 1A | 80 BPM | ||
Les Couplets | Monsieur de Sainte-Colombe, Hille Perl | D♭ Minor | 0 | 12A | 123 BPM |
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