"Strauss: Drei Lieder Der Ophelia (Op. 67 No. 3)" by Malcolm Martineau, Inger Dam-Jensen was released on January 1, 2011. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 365 in the song's album "The Year". In this album, this song's track order is #11. The popularity of Strauss: Drei Lieder Der Ophelia (Op. 67 No. 3) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss: Drei Lieder Der Ophelia (Op. 67 No. 3) by Malcolm Martineau, Inger Dam-Jensen having a BPM of 177 with a half-time of 88 BPM and a double-time of 354 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Song Cycle, Op. 59: No. 3. O soft was the song | Edward Elgar, Christopher Maltman, Malcolm Martineau | F Major | 1 | 7B | 163 BPM | ||
Tristia, Op.18: 2. La mort d'Ophélie. Ballade | Hector Berlioz, Cecilia Bartoli, Myung-Whun Chung | B♭ Major | 0 | 6B | 172 BPM | ||
Petite messe solennelle: XVII. O salutaris | Gioachino Rossini, Krassimira Stoyanova, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | G Major | 0 | 9B | 103 BPM | ||
An die Musik, D.547 (Op.88/4) | Franz Schubert, Bryn Terfel, Malcolm Martineau | C Major | 0 | 8B | 135 BPM | ||
I Want What I Have Not, Op. 74, No. 13 | Frédéric Chopin, Elzbieta Szmytka, Malcolm Martineau | F Minor | 1 | 4A | 77 BPM | ||
Tu ch'hai le penne, amore | Giulio Caccini, Cecilia Bartoli, György Fischer | G Minor | 1 | 6A | 134 BPM | ||
2 Songs, Op. 27: No. 1, Chanson d'amour | John Mark Ainsley, Gabriel Fauré, Malcolm Martineau | C Major | 0 | 8B | 136 BPM | ||
The Sally Gardens - Arr. Britten | Traditional, Bryn Terfel, Malcolm Martineau | F♯ Major | 0 | 2B | 165 BPM | ||
Griffes - Three Poems of Fiona Macleod: Thy dark eyes to mine | Charles Griffes, Barbara Bonney, Malcolm Martineau | A♭ Major | 1 | 4B | 171 BPM | ||
Dispersed And Transcendental Chants, Op. 18: Chant 8. The Word | Julián De La Chica, Briana Hunter, Eric Sedgwick | G Minor | 0 | 6A | 75 BPM |
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