"オペレッタ「ウィーンの朝・昼・晩」: 序曲" by Franz von Suppé, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter was released on December 24, 2014. Since オペレッタ「ウィーンの朝・昼・晩」: 序曲 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in ジルベスター&ニューイヤー クラシック・カウント・ダウン! 2014-2015[フィギュアスケート、サッカー、ジルベスター&ニューイヤーコンサート、アニバーサリー作曲家(R.シュトラウス、伊福部昭、シベリウス、グラズノフ)ほか年末年始を華やかに彩るクラシック名曲選!], so we believe that "オペレッタ「ウィーンの朝・昼・晩」: 序曲" is a single. Based on our statistics, オペレッタ「ウィーンの朝・昼・晩」: 序曲's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of オペレッタ「ウィーンの朝・昼・晩」: 序曲 by Franz von Suppé, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Radetzky-March, Op. 228 | Johann Strauss I, Hungarian State Orchestra, Janos Ferencsik | A Major | 3 | 11B | 102 BPM | ||
Khachaturian : Gayaneh Suite No.1 : II Dance of the Young Maidens | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | E Minor | 1 | 9A | 114 BPM | ||
Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Franz Schubert: I. Overture | Franz von Suppé, American Symphony Orchestra, Leon Botstein | F Major | 1 | 7B | 105 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: Introduction | Richard Strauss, Staatskapelle Dresden, Rudolf Kempe | C Major | 2 | 8B | 71 BPM | ||
Fur die ganze Welt | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | G Major | 1 | 9B | 179 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM | ||
Light Cavalry: Overture | Franz von Suppé, Detroit Symphony Orchestra, Paul Paray | C Major | 3 | 8B | 77 BPM | ||
La Damnation de Faust, Op. 24, H 111 / Pt. 1: Marche hongroise | Hector Berlioz, Chicago Symphony Orchestra, Sir Georg Solti | A Major | 2 | 11B | 93 BPM |
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