"Etude No. 12 in d" by Cyrille Rose, John Walker, Christopher Hill and John Walker was released on January 1, 2006. With Etude No. 12 in d being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 32 in the song's album "Rose Etudes". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Etude No. 12 in d is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Etude No. 12 in d by Cyrille Rose, John Walker, Christopher Hill and John Walker having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ode to Odessa | Eva Wassermann, Luigi Magistrelli | E Major | 1 | 12B | 80 BPM | ||
25 Études faciles et progressives, Op. 100: No. 18, Inquiétude | Franz Burgmüller, The Gerst Ensemble | A Minor | 0 | 8A | 195 BPM | ||
Hamnöy 1976 I | Christian Lindberg, MIN Ensemble | A♭ Major | 6 | 4B | 99 BPM | ||
Bassoon Sonata in F Minor, TWV 41:f1: II. Allegro | Georg Philipp Telemann, Richard Galler, Ernst Weissensteiner | F Minor | 2 | 4A | 139 BPM | ||
Violin Concerto: II. | Frederick Delius, Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Minor | 1 | 8A | 91 BPM | ||
Natko Devčić: Istrian Suite: II. Leaping Dance | Natko Devcic, Muenchner Rundfunkorchester, Ivan Repušić, Munich Radio Orchestra | F Minor | 2 | 4A | 80 BPM | ||
Sonata for Violin & Harp, Op. 115 (Version for Flute & Harp): II. Larghetto | Louis Spohr, András Adorján, Marielle Nordmann | E Major | 1 | 12B | 60 BPM | ||
Vocalise | Anthony Mcgill | C Minor | 0 | 5A | 71 BPM | ||
Trio for Flute, Oboe and Piano: I. Allegro con brio | Madeleine Dring, Pedja Muzijevic, Joseph Robinson, Jeanne Baxtresser | D Minor | 2 | 7A | 114 BPM | ||
Fantasy | Fritz Kroepsch, Ludmila Peterková, Irina Kondratenko | F Major | 1 | 7B | 70 BPM |
Section: 0.5996646881103516
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