Madeleine Dring, Pedja Muzijevic, Joseph Robinson, Jeanne Baxtresser's 'Trio for Flute, Oboe and Piano: I. Allegro con brio' came out on April 26, 2019. The duration of Trio for Flute, Oboe and Piano: I. Allegro con brio is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Trio for Flute, Oboe and Piano: I. Allegro con brio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Pedja Muzijevic, Joseph Robinson's "Joseph Robinson Plays Saint-Saëns, Still, Martin, Piston, Godard, Dring, Nielsen, Schickele and Poulenc" album is number 12 out of 22. In terms of popularity, Trio for Flute, Oboe and Piano: I. Allegro con brio is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Trio for Flute, Oboe and Piano: I. Allegro con brio by Madeleine Dring, Pedja Muzijevic, Joseph Robinson, Jeanne Baxtresser to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | D♭ Major | 0 | 3B | 86 BPM | ||
Canço i dansa no. 3: Modéré | Federico Mompou, Ksenia Kouzmenko | D Major | 0 | 10B | 136 BPM | ||
Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | A♭ Minor | 0 | 1A | 84 BPM | ||
Clarinet Sonata in F Minor, Op. 120, No. 1: I. Allegro appassionato | Johannes Brahms, Martin Fröst, Roland Pöntinen | D♭ Major | 0 | 3B | 113 BPM | ||
Sonatina for Violin & Piano, Op. 6: II. Sempre senza vibrato | Heinz Roemheld, Patrick Savage, Martin Cousin | D♭ Major | 1 | 3B | 92 BPM | ||
Franck: Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato | César Franck, Anne-Sophie Mutter, Alexis Weissenberg | G Major | 1 | 9B | 147 BPM | ||
Schumann: 3 Romances, Op. 22: No. 1 Andante molto | Clara Schumann, Emmanuel Pahud, Eric Le Sage | B♭ Major | 0 | 6B | 87 BPM | ||
Septet in E-Flat Major, Op. 65: II. Menuet. Tempo di minuetto moderato | Camille Saint-Saëns, Nash Ensemble | F Major | 1 | 7B | 135 BPM | ||
Pictures at an Exhibition: Tuileries | Nikolai Rimsky-Korsakov, Eugene Ormandy, Philadelphia Orchestra | D Major | 0 | 10B | 137 BPM | ||
The Rose Petal Waltz | Agneta Krilova, Trio NYX | D♭ Major | 1 | 3B | 126 BPM |
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