Louis Spohr, András Adorján, Marielle Nordmann's 'Sonata for Violin & Harp, Op. 115 (Version for Flute & Harp): II. Larghetto' came out on January 1, 2016. With this song being about 5 minutes long, at 4:57, "Sonata for Violin & Harp, Op. 115 (Version for Flute & Harp): II. Larghetto" by Louis Spohr, András Adorján, Marielle Nordmann is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 7 in the song's album "Spohr: Works for Harp & Flute". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Sonata for Violin & Harp, Op. 115 (Version for Flute & Harp): II. Larghetto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata for Violin & Harp, Op. 115 (Version for Flute & Harp): II. Larghetto by Louis Spohr, András Adorján, Marielle Nordmann having a BPM of 60 with a half-time of 30 BPM and a double-time of 120 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No.12 in F major, Op.96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | F Major | 2 | 7B | 72 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": III. Molto allegro | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Major | 0 | 9B | 130 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Faust, Act III (1852 Version): Welch ein Wahn hat mich verblendet | Louis Spohr, Diane Jennings, Bielefeld Philharmonic Orchestra, Geoffrey Moull | C Minor | 0 | 5A | 138 BPM | ||
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: I. | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Anne-Katharina Schreiber, Petra Mullejans | D♭ Major | 3 | 3B | 96 BPM | ||
Faust, Act I (1852 Version): Wohlan, hinweg aus diesem Sinnentaumel | Louis Spohr, Michael Vier, Eelco von Jordis, Bielefeld Philharmonic Orchestra, Geoffrey Moull | F♯ Major | 1 | 2B | 112 BPM | ||
Chopin: Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Frédéric Lodéon, François-René Duchâble | E♭ Major | 2 | 5B | 76 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM |
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