Ed, Orquesta Filarmónica Peralada, Manuel Serrano Cuenca's 'Peer Gynt, Suite No. 1, Op. 46: III. Anitra's Dance' came out on 2002. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 11 in Edvard Grieg: Masterpieces. Peer Gynt by Ed, Orquesta Filarmónica Peralada, Manuel Serrano Cuenca. Based on our statistics, Peer Gynt, Suite No. 1, Op. 46: III. Anitra's Dance's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Peer Gynt, Suite No. 1, Op. 46: III. Anitra's Dance by Ed, Orquesta Filarmónica Peralada, Manuel Serrano Cuenca is Allegro (fast, quick, and bright), since this song has a tempo of 152 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Coppélia / Tableau 1: No. 3 Mazurka | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | D Minor | 1 | 7A | 78 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: Introduction | Richard Strauss, Staatskapelle Dresden, Rudolf Kempe | C Major | 2 | 8B | 71 BPM | ||
The Carnival of the Animals, R. 125: VII. Aquarium | Camille Saint-Saëns, Arthur Fiedler, Boston Pops Orchestra | A Minor | 3 | 8A | 67 BPM | ||
Coppelia Act I, No.1 Valse, Moderato | Léo Delibes, Saint Petersburg Radio, TV Symphony Orchestra | A Major | 4 | 11B | 144 BPM | ||
Light as a Feather Polka, Op. 139 | Johann Strauss II, Peter Falk, Vienna Volksoper Orchestra | E♭ Major | 0 | 5B | 91 BPM | ||
Fantasia On "Greensleeves" | Ralph Vaughan Williams, Robert Haydon Clark, Consort of London | C Minor | 1 | 5A | 86 BPM | ||
Dry Me Out | Ed | A♭ Major | 9 | 4B | 155 BPM | ||
Piano concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | Camille Saint-Saëns, Vadym Kholodenko, The Norwegian Radio Orchestra, Miguel Harth-Bedoya | G Minor | 0 | 6A | 80 BPM | ||
Sonata No. 8 para piano in C Minor, Op. 13 " Sonata pathétique " : I. Grave - Allegro di molto e con brio | Wolf Rottmann | C Minor | 3 | 5A | 83 BPM | ||
Peer Gynt, Op.23 - Incidental Music: No.8. In the Hall of the Mountain King | Edvard Grieg, Margaret Lisi, San Francisco Symphony Chorus, Kaare Myksvoll, Maria Meyer, Kristina Rapp, Gregory Nybo, David Hess, San Francisco Symphony, Herbert Blomstedt | G Major | 1 | 9B | 116 BPM |
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