Léo Delibes, Saint Petersburg Radio, TV Symphony Orchestra's 'Coppelia Act I, No.1 Valse, Moderato' came out on January 1, 2003. The duration of Coppelia Act I, No.1 Valse, Moderato is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Coppelia Act I, No.1 Valse, Moderato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 22 in Coppelia, Vol. 1 by Léo Delibes, Saint Petersburg Radio, TV Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Coppelia Act I, No.1 Valse, Moderato's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Coppelia Act I, No.1 Valse, Moderato by Léo Delibes, Saint Petersburg Radio, TV Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canon In D Major | Johann Pachelbel, Robert Haydon Clark, Consort of London | D Major | 1 | 10B | 85 BPM | ||
The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Variation III. Miettes qui tombent (Fairy of the Woodland Glade) | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | D Major | 0 | 10B | 66 BPM | ||
Sylvia: Act I: Prelude | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 61 BPM | ||
Le Corsaire: Act II - "4. Grand Pas: Variation: Ali" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | A♭ Major | 1 | 4B | 121 BPM | ||
16 Waltzes, Op. 39 (arr. for orchestra): 16 Waltzes, Op. 39: No. 15. in A flat major (arr. for orchestra) | Various Artists | F Major | 0 | 7B | 65 BPM | ||
Beethoven: Fur Elise | Robin Alciatore | F Major | 1 | 7B | 131 BPM | ||
Mazurka No. 23 in D Major, Op. 33, No. 2 | Frédéric Chopin, Idil Biret | A Major | 1 | 11B | 96 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Frühlingsstimmen, Op. 410 (Version for Orchestra) | Johann Strauss II, Cologne New Philharmonic Orchestra, Volker Hartung | C Minor | 1 | 5A | 104 BPM | ||
Raymonda, Act I: Prelude et Variation | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | B Major | 0 | 1B | 104 BPM |
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