"Turandot / Act 1: "Signore, ascolta"" by Giacomo Puccini, Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta was released on January 1, 1973. The duration of Turandot / Act 1: "Signore, ascolta" is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Turandot / Act 1: "Signore, ascolta"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Puccini: Turandot - Highlights". In this album, this song's track order is #3. Turandot / Act 1: "Signore, ascolta" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Turandot / Act 1: "Signore, ascolta" by Giacomo Puccini, Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fedora: Amor ti vieta | Umberto Giordano, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma, Coro Del Teatro Regio Di Parma | C Major | 2 | 8B | 177 BPM | ||
Intermezzo | Pietro Mascagni, James Levine | F Major | 2 | 7B | 84 BPM | ||
Puccini: Gianni Schicchi: O mio babbino caro | Giacomo Puccini, Tito Gobbi, Cecilia Fusco, Renzo Casellato, Jolanda Gardino, Mario Carlin, Liliana Rossi Perino, Carlo Ambrosoni, Angelo Nosotti, Paolo Montarsolo, Mario Basiola, Luisella Ciaffi, Giorgio Onesti, Carlo Badioli, Cristiano Dalamangas, Enzo Viaro | A Major | 3 | 11B | 80 BPM | ||
Madama Butterfly (1986 - Remaster), Act I: Ieri son salita tutta sola (Butterfly/Goro/Il Commissario/Coro/Sharpless/Ufficiale del Registro/Pinkerton) | Giacomo Puccini, Renata Scotto, Carlo Bergonzi, Rolando Panerai, Piero de Palma, Mario Rinaudo, Coro Del Teatro Dell'Opera Di Roma, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | A♭ Minor | 9 | 1A | 143 BPM | ||
Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise | Sergei Rachmaninoff, Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester | F♯ Minor | 2 | 11A | 84 BPM | ||
La Wally / Act 1: Ebben? Ne andrò lontana | Alfredo Catalani, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | E Minor | 1 | 9A | 73 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Mojca Erdmann, Mahler Chamber Orchestra, Yannick Nézet-Séguin | B Minor | 9 | 10A | 180 BPM | ||
Gianni Schicchi, Aria: O mio babbino caro | Giacomo Puccini, Montserrat Caballé, Josè Collado | A♭ Major | 2 | 4B | 89 BPM |
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