Emilio de' Cavalieri, Chor der Deutschen Staatsoper Berlin, Akademie für Alte Musik Berlin, René Jacobs's 'Rappresentatione di anima et di corpo: O Signor santo e vero (Choro)' came out on February 23, 2015. With Rappresentatione di anima et di corpo: O Signor santo e vero (Choro) being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 29 in Cavalieri: Rappresentatione di anima et di corpo by Emilio de' Cavalieri, René Jacobs, Marie-Claude Chappuis, Johannes Weisser, Akademie für Alte Musik Berlin, Chor der Deutschen Staatsoper Berlin. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of Rappresentatione di anima et di corpo: O Signor santo e vero (Choro) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rappresentatione di anima et di corpo: O Signor santo e vero (Choro) by Emilio de' Cavalieri, Chor der Deutschen Staatsoper Berlin, Akademie für Alte Musik Berlin, René Jacobs is Vivace (lively and fast), since this song has a tempo of 165 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dixit Dominus, HWV 232: VIII. Conquassabit capita | George Frideric Handel, Vox Luminis, Lionel Meunier | A Major | 1 | 11B | 101 BPM | ||
Corriente Dicha la Cuella | Andrea Falconieri, Erik Bosgraaf, Izhar Elias, Alessandro Pianu | E Major | 4 | 12B | 134 BPM | ||
Rappresentatione di anima, et di corpo: Voi ch'ascoltando state (Live) | Emilio de' Cavalieri, Gemma Bertagnolli, Berta Rossetti, Claudio Cavina, Guiseppe Maletto, Roberto Mattei, Antonio Abete, Le Istitutioni Harmoniche, Ensemble di Viole dell'Accademia Strumentale Italiana, Marco Longhini | G Major | 1 | 9B | 85 BPM | ||
Dolcissimi legami di parole amorose | Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini | D Minor | 1 | 7A | 79 BPM | ||
Vespro della Beata Vergine, SV 206: VII. Concerto "Duo Seraphim" | Claudio Monteverdi, Philippe Herreweghe, Reinoud Van Mechelen, Samuel Boden, Benedict Hymas, Collegium Vocale Gent | F Major | 2 | 7B | 76 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Ogn'hor per voi sospiro | Philippe Verdelot, Capilla Flamenca | G Minor | 1 | 6A | 78 BPM | ||
Requiem in F Minor, C 8: Ia. Introitus | Heinrich Ignaz Franz von Biber, Vox Luminis, Freiburger BarockConsort, Lionel Meunier | F Minor | 1 | 4A | 180 BPM | ||
2e livre de viole: Tombeau pour Mr de Sainte-Colombe | Marin Marais, Friederike Heumann, Xavier Diaz-Latorre | E♭ Minor | 0 | 2A | 167 BPM | ||
Stabat Mater pour dix voix et basse continue: I. Stabat Mater dolorosa | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F Major | 1 | 7B | 138 BPM |
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