"Mystery (Rosary) Sonata No. 13 in D Minor, The Descent of the Holy Spirit: I. Sonata" by Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti was released on February 17, 2023. The duration of Mystery (Rosary) Sonata No. 13 in D Minor, The Descent of the Holy Spirit: I. Sonata is about 3 minutes long, at 3:02. Based on our data, "Mystery (Rosary) Sonata No. 13 in D Minor, The Descent of the Holy Spirit: I. Sonata" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 46 in Biber: Mystery (Rosary) Sonatas by Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Mystery (Rosary) Sonata No. 13 in D Minor, The Descent of the Holy Spirit: I. Sonata is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mystery (Rosary) Sonata No. 13 in D Minor, The Descent of the Holy Spirit: I. Sonata by Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ciaccona, Op. 23 | Maurizio Cazzati, Musica Antiqua Latina | D♭ Major | 2 | 3B | 95 BPM | ||
Alcidiane: Petite Chaconne | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 150 BPM | ||
Sonata in G Minor, Z. 780: I. Adagio - Allegro - Largo - Vivace | Henry Purcell, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Amarilli, mia bella (1601) | Giulio Caccini, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Major | 0 | 3B | 129 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
Mystery (Rosary) Sonata No. 5, "The 12-Year-Old Jesus in the Temple": III. Gigue | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 2 | 4B | 76 BPM | ||
Concerto in D Minor; Op. 6 No. 5: II. Allegro | Charles Avison, Café Zimmermann | D♭ Minor | 3 | 12A | 135 BPM | ||
Hamburg Symphony No. 3 in C Major, Wq. 182: III. Allegretto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata X a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | F♯ Major | 2 | 2B | 88 BPM | ||
Concerto Grosso No. 1 in A Major (after D. Scarlatti): I. Adagio | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 81 BPM |
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