"Divertimento For Brass Ensemble And Percussion: Little Scherzo - Produced" by Karel Husa, Lawrence Sobol was released on 1998. With Divertimento For Brass Ensemble And Percussion: Little Scherzo - Produced being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Karel Husa's "KAREL HUSA: The Trojan Women , Fantasies For Orchestra , Divertimento For Brass Ensemble And Percussion" album is number 2 out of 12. On top of that, United States appears to be the country where this track was created. Based on our statistics, Divertimento For Brass Ensemble And Percussion: Little Scherzo - Produced's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Divertimento For Brass Ensemble And Percussion: Little Scherzo - Produced by Karel Husa, Lawrence Sobol to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Anyone There? (From “the London Ripper”) | Swen Fettermann | B♭ Major | 1 | 6B | 66 BPM | ||
First Suite in E-Flat Major, Op. 28 No. 1, H. 105: II. Intermezzo | Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon | C Minor | 1 | 5A | 141 BPM | ||
Grand Canyon Suite: II. The Painted Desert | Edvard Grieg, Ferde Grofé, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 79 BPM | ||
Trombone Concerto: II. Quasi una leggenda. Andante grave | Launy Grøndahl, Christian Lindberg, Bamberg Symphony, Leif Segerstam | B♭ Minor | 0 | 3A | 88 BPM | ||
Divertimento for Brass & Percussion: IV. Slovak Dance | Karel Husa, Orchestre des Solistes de Paris, Lawrence Sobol | B♭ Major | 1 | 6B | 85 BPM | ||
Pageant, Op. 59 | Vincent Persichetti, North Texas Wind Symphony, Eugene Migliaro Corporon | B♭ Major | 1 | 6B | 131 BPM | ||
Frustration | Christian Lindberg, Símon Bolívar Symphony Orchestra | G Major | 9 | 9B | 125 BPM | ||
Kingfishers Catch Fire: I. Following falls and falls of rain | John Mackey, North Texas Wind Symphony, Eugene Migliaro Corporon | G Major | 0 | 9B | 73 BPM | ||
Billy the Kid (Remastered): Introduction. The Open Prairie | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Minor | 1 | 5A | 137 BPM | ||
Scaramouche, Op. 165c: III. Brazileira | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | F Major | 3 | 7B | 72 BPM |
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