"Vaughan Williams: On Wenlock Edge: No. 2, From Far, from Eve and Morning (Version with Orchestra)" by Ralph Vaughan Williams, Ian Bostridge, London Philharmonic Orchestra, Bernard Haitink was released on January 1, 1999. The duration of Vaughan Williams: On Wenlock Edge: No. 2, From Far, from Eve and Morning (Version with Orchestra) is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Vaughan Williams: On Wenlock Edge: No. 2, From Far, from Eve and Morning (Version with Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vaughan Williams: Symphony No. 6/In the Fen Country/On Wenlock Edge by Ralph Vaughan Williams, Bernard Haitink, London Philharmonic Orchestra. The song's track number on the album is #7 out of 11 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Vaughan Williams: On Wenlock Edge: No. 2, From Far, from Eve and Morning (Version with Orchestra) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Vaughan Williams: On Wenlock Edge: No. 2, From Far, from Eve and Morning (Version with Orchestra) by Ralph Vaughan Williams, Ian Bostridge, London Philharmonic Orchestra, Bernard Haitink has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vaughan Williams: On Wenlock Edge: No. 2, From Far, from Eve and Morning (Version with Orchestra) being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Paul's Suite, Op. 29, No. 2: I. Jig | Gustav Holst, English Sinfonia, Howard Griffiths | D Minor | 3 | 7A | 78 BPM | ||
For Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version] | Béla Bartók, Fülöp Ránki | B Minor | 0 | 10A | 78 BPM | ||
7 Danish Songs: No. 2. Through Long, Long Years (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | D♭ Major | 0 | 3B | 84 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
49th Parallel Suite: Prelude | RTE Concert Orchestra, Ralph Vaughan Williams | G Major | 1 | 9B | 87 BPM | ||
Requiem, Op.48: 4. Pie Jesu (I) | Gabriel Fauré, Catherine Bott, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | B♭ Major | 0 | 6B | 72 BPM | ||
Suite No. 3, P. 172: III. Siciliana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | C Minor | 0 | 5A | 93 BPM | ||
Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM |
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