Vaughan Williams: On Wenlock Edge: No. 2, From Far, from Eve and Morning (Version with Orchestra)
Ralph Vaughan Williams, Ian Bostridge, London Philharmonic Orchestra, Bernard Haitink
Vaughan Williams: Symphony No. 6/In the Fen Country/On Wenlock Edge
2:04 January 1, 1999
BPM
87
Key
E Major
Camelot
12B

Embed

Share Link

Vaughan Williams: On Wenlock Edge: No. 2, From Far, from Eve and Morning (Version with Orchestra) - Ralph Vaughan Williams, Ian Bostridge, London Philharmonic Orchestra, Bernard Haitink Information

Acousticness
91%
Danceability
23%
Energy
7%
Instrumentalness
0%
Liveness
34%
Loudness
59%
Speechiness
5%
Valence
6%
Popularity
Loudness
-24.82 dB

Summary

"Vaughan Williams: On Wenlock Edge: No. 2, From Far, from Eve and Morning (Version with Orchestra)" by Ralph Vaughan Williams, Ian Bostridge, London Philharmonic Orchestra, Bernard Haitink was released on January 1, 1999. The duration of Vaughan Williams: On Wenlock Edge: No. 2, From Far, from Eve and Morning (Version with Orchestra) is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Vaughan Williams: On Wenlock Edge: No. 2, From Far, from Eve and Morning (Version with Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vaughan Williams: Symphony No. 6/In the Fen Country/On Wenlock Edge by Ralph Vaughan Williams, Bernard Haitink, London Philharmonic Orchestra. The song's track number on the album is #7 out of 11 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Vaughan Williams: On Wenlock Edge: No. 2, From Far, from Eve and Morning (Version with Orchestra) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Vaughan Williams: On Wenlock Edge: No. 2, From Far, from Eve and Morning (Version with Orchestra) BPM

Since Vaughan Williams: On Wenlock Edge: No. 2, From Far, from Eve and Morning (Version with Orchestra) by Ralph Vaughan Williams, Ian Bostridge, London Philharmonic Orchestra, Bernard Haitink has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vaughan Williams: On Wenlock Edge: No. 2, From Far, from Eve and Morning (Version with Orchestra) being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.

Vaughan Williams: On Wenlock Edge: No. 2, From Far, from Eve and Morning (Version with Orchestra) Key

This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
St. Paul's Suite, Op. 29, No. 2: I. Jig by Gustav Holst, English Sinfonia, Howard GriffithsSt. Paul's Suite, Op. 29, No. 2: I. JigGustav Holst, English Sinfonia, Howard GriffithsD Minor37A78 BPM
For Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version] by Béla Bartók, Fülöp RánkiFor Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version]Béla Bartók, Fülöp RánkiB Minor010A78 BPM
7 Danish Songs: No. 2. Through Long, Long Years (arr. J. Lloyd Webber for cello and piano) by Frederick Delius, Julian Lloyd Webber, John Lenehan7 Danish Songs: No. 2. Through Long, Long Years (arr. J. Lloyd Webber for cello and piano)Frederick Delius, Julian Lloyd Webber, John LenehanD♭ Major03B84 BPM
Nocturne-serenade, Op. 45 by Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez IzquierdoNocturne-serenade, Op. 45Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez IzquierdoB♭ Major06B108 BPM
49th Parallel Suite: Prelude by RTE Concert Orchestra, Ralph Vaughan Williams49th Parallel Suite: PreludeRTE Concert Orchestra, Ralph Vaughan WilliamsG Major19B87 BPM
Requiem, Op.48: 4. Pie Jesu (I) by Gabriel Fauré, Catherine Bott, Orchestre Révolutionnaire et Romantique, John Eliot GardinerRequiem, Op.48: 4. Pie Jesu (I)Gabriel Fauré, Catherine Bott, Orchestre Révolutionnaire et Romantique, John Eliot GardinerB♭ Major06B72 BPM
Suite No. 3, P. 172: III. Siciliana: Andantino by Ottorino Respighi, RTÉ National Symphony OrchestraSuite No. 3, P. 172: III. Siciliana: AndantinoOttorino Respighi, RTÉ National Symphony OrchestraC Minor05A93 BPM
Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero by Felix Mendelssohn, Leif Ove AndsnesMendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggieroFelix Mendelssohn, Leif Ove AndsnesF♯ Minor111A182 BPM
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice by Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio ChorusIphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propiceChristoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio ChorusA Minor08A114 BPM
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) by Richard Strauss, Angela HewittMorgen, Op. 27 No. 4 (Arr. Reger for Piano)Richard Strauss, Angela HewittA Major211B143 BPM
ISRC
GBAYC9702733
Label
L-M Records/RCA Records

Section: 0.6746993064880371

End: 0.6797869205474854