"La filleule des fees: Act II - Tableau I (A Wooded Park): No. 4d (No. 8) Mme Taglioni (Flute Variation)" by Adolphe Adam, Queensland Symphony Orchestra, Andrew Mogrelia was released on December 15, 2001. With La filleule des fees: Act II - Tableau I (A Wooded Park): No. 4d (No. 8) Mme Taglioni (Flute Variation) being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 42 in Adam: Filleule Des Fees (La) (Complete Ballet) by Adolphe Adam. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. La filleule des fees: Act II - Tableau I (A Wooded Park): No. 4d (No. 8) Mme Taglioni (Flute Variation) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La filleule des fees: Act II - Tableau I (A Wooded Park): No. 4d (No. 8) Mme Taglioni (Flute Variation) by Adolphe Adam, Queensland Symphony Orchestra, Andrew Mogrelia is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Perle von Iberien: Estudiantina Polka | Joseph Hellmesberger, Jr., Czech Philharmonic Chamber Orchestra, John Georgiadis | B♭ Major | 0 | 6B | 153 BPM | ||
Don Quixote: Act I: Moreno | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 2 | 9B | 103 BPM | ||
Le Corsaire: Pas de Trois - Ali Variation | Yuly Gerber, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 1 | 4B | 85 BPM | ||
Piano Concerto No. 3 in C Major, Op. 144: II. Largo | Carl Reinecke, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | A♭ Major | 0 | 4B | 58 BPM | ||
Ungarische Galoppe Oder Frischka, Op. 36: No. 2 In A Major | Slovak Sinfonietta, Zilina, Johann Strauss I | E Major | 1 | 12B | 170 BPM | ||
Carmen Ballet: Second Intermezzo | Arthur Fiedler | E Major | 2 | 12B | 145 BPM | ||
Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): VI. Az el menes (Marching off) | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 149 BPM | ||
Coppelia: Act II - Valse de la poupee | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 0 | 11B | 87 BPM | ||
Minuet in Blue | Ron Goodwin, New Zealand Symphony Orchestra | C Major | 5 | 8B | 86 BPM | ||
Divertissement, Vorstellungen 1803: No. 4, Allegro | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM |
Section: 0.5500385761260986
End: 0.5551197528839111