"Die Frau ohne Schatten, Op. 65, TrV 234, Act II: Act II: Es dunkelt, Dass ich nicht sehe zur Arbeit (Barak, Bruder, Amme, Kaiserin, Frau)" by Richard Strauss, Terje Stensvold, Franz Mayer, Bjorn Burger, Frankfurter Opern- und Museumsorchester, Hans-Jurgen Lazar, Tanja Ariane Baumgartner, Tamara Wilson, Sabine Hogrefe, Sebastian Weigle had its release date on October 2, 2015. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Die Frau ohne Schatten, Op. 65, TrV 234, Act II: Act II: Es dunkelt, Dass ich nicht sehe zur Arbeit (Barak, Bruder, Amme, Kaiserin, Frau)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 43 in the song's album "R. Strauss: Die Frau ohne Schatten, Op. 65, TrV 234". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. Die Frau ohne Schatten, Op. 65, TrV 234, Act II: Act II: Es dunkelt, Dass ich nicht sehe zur Arbeit (Barak, Bruder, Amme, Kaiserin, Frau) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Frau ohne Schatten, Op. 65, TrV 234, Act II: Act II: Es dunkelt, Dass ich nicht sehe zur Arbeit (Barak, Bruder, Amme, Kaiserin, Frau) by Richard Strauss, Terje Stensvold, Franz Mayer, Bjorn Burger, Frankfurter Opern- und Museumsorchester, Hans-Jurgen Lazar, Tanja Ariane Baumgartner, Tamara Wilson, Sabine Hogrefe, Sebastian Weigle having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gayaneh, Ballet Suite: Gayaneh's Adagio | Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov | A Major | 1 | 11B | 105 BPM | ||
Simple Symphony, Op. 4: I. Boisterous Bourrée | Benjamin Britten, English Chamber Orchestra | A Minor | 2 | 8A | 106 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Des Helden Walstatt (The Hero's Field of Battle) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | E♭ Major | 4 | 5B | 133 BPM | ||
Requiem | Alexander Borodin, Philharmonia Orchestra, BBC Symphony Chorus, Ian Boughton, Geoffrey Simon | A Minor | 1 | 8A | 60 BPM | ||
Piano Concerto No.23 In A, K.488 - Cadenza: Feruccio Busoni: 1. Allegro | Wolfgang Amadeus Mozart, Ferruccio Busoni, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | A Major | 1 | 11B | 140 BPM | ||
Rachmaninov: Scherzo in D Minor | Sergei Rachmaninoff, St Petersburg Philharmonic Orchestra (Leningrad)/Mariss Jansons, Mariss Jansons | D Minor | 1 | 7A | 109 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM |