Ernst Krenek, Glenn Gould made "Piano Sonata No. 3, Op. 92 No. 4: III. Scherzo. Vivace ma non troppo" available on 1959. With Piano Sonata No. 3, Op. 92 No. 4: III. Scherzo. Vivace ma non troppo being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 13 in Berg/Krenek/Webern/Ravel/Debussy by Glenn Gould. Piano Sonata No. 3, Op. 92 No. 4: III. Scherzo. Vivace ma non troppo is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Piano Sonata No. 3, Op. 92 No. 4: III. Scherzo. Vivace ma non troppo by Ernst Krenek, Glenn Gould is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kaddish: Part II, The Holocaust: What a Beautiful Place You Have Here | Lawrence Siegel, Maria Jette, Krista J. Palmquist, Anders Eckman, James Bohn, VocalEssence Chorus, VocalEssence Ensemble Singers, Philip Brunelle | A Major | 1 | 11B | 0 BPM | ||
Piano Sonatina No. 5 in F Major, Op. 5 | Ernst Krenek, Mikhail Korzhev | E♭ Major | 1 | 5B | 69 BPM | ||
Tristan und Isolde, WWV 90: I, AUFZUG 1: Vorspiel - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | E Major | 2 | 12B | 133 BPM | ||
Hamnöy 1976 I | Christian Lindberg, MIN Ensemble | A♭ Major | 6 | 4B | 99 BPM | ||
I Fontani di Roma, P. 106: II. La fontana del Tritone al mattino | Ottorino Respighi, Minnesota Orchestra, Antal Doráti | C Major | 2 | 8B | 77 BPM | ||
Concerto pour violon et orchestre: III. Intermezzo: Presto fluido | György Ligeti, Ensemble Intercontemporain, Pierre Bleuse, Hae-Sun Kang | B Minor | 0 | 10A | 134 BPM | ||
Monologue, Op. 157: II. L'istesso Tempo | Ernst Krenek, Csaba Klenyán | D Major | 0 | 10B | 78 BPM | ||
Symphony No. 1: III. Intermezzo | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | E Major | 4 | 12B | 163 BPM | ||
Divertimento for Strings, Sz. 113: I. Allegro non troppo | Béla Bartók, Chicago Symphony Strings, Sir Georg Solti | B♭ Major | 2 | 6B | 108 BPM | ||
Le tombeau de Couperin (arr. Z. Kocsis): II. Fugue: Allegro moderato (arr. for orchestra) | Zoltán Kocsis, Maurice Ravel, Hungarian National Philharmonic | E Minor | 0 | 9A | 82 BPM |
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