Violin Concerto No. 1 in G minor Op. 26: II. Adagio - Max Bruch, Tasmin Little, Vernon Handley, Royal Liverpool Philharmonic Orchestra Information

Acousticness: 75%
Danceability: 15%
Energy: 4%
Instrumentalness: 24%
Liveness: 11%
Loudness: 55%
Speechiness: 5%
Valence: 4%
Popularity: 0%
Loudness: -26.861 dB

Summary

"Violin Concerto No. 1 in G minor Op. 26: II. Adagio" by Max Bruch, Tasmin Little, Vernon Handley, Royal Liverpool Philharmonic Orchestra was released on October 3, 2011. Since Violin Concerto No. 1 in G minor Op. 26: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Tasmin Little: Bruch, Dvorak & Lalo". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Violin Concerto No. 1 in G minor Op. 26: II. Adagio is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Violin Concerto No. 1 in G minor Op. 26: II. Adagio BPM

With Violin Concerto No. 1 in G minor Op. 26: II. Adagio by Max Bruch, Tasmin Little, Vernon Handley, Royal Liverpool Philharmonic Orchestra having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Violin Concerto No. 1 in G minor Op. 26: II. Adagio Key

This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto for 2 Pianos and Orchestra, Op. 88a: IV. Andante - Allegro	Max Bruch, Oliver Schnyder, Julia Kociuban, ORF Vienna Radio Symphony Orchestra, Howard Griffiths	A♭ Major	1	4B	74 BPM
Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante	Pyotr Ilyich Tchaikovsky, Ilya Kaler, Russian Philharmonic Orchestra, Dmitry Yablonsky	D♭ Minor	6	12A	160 BPM
Variations On An Original Theme, Op.36 "Enigma": 14. Finale: E.D.U. (Allegro - Presto)	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	G Major	2	9B	115 BPM
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo	Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra	F Major	2	7B	131 BPM
Petite suite: I. En bateau (arr. H. Busser for orchestra): I. En bateau	Claude Debussy, Henri Büsser, Orchestre National De Lyon, Jun Markl	G Major	0	9B	93 BPM
Chant du menestrel for Cello and Orchestra, Op. 71	Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin	F♯ Minor	0	11A	87 BPM
Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace	Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor	F Major	2	7B	130 BPM
Petite Suite de Concert, Op. 77: III. Un sonnet d'amour	Samuel Coleridge-Taylor, Chineke! Orchestra, Anthony Parnther	D Major	0	10B	62 BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (Excerpt)	Max Bruch, Yehudi Menuhin, Philharmonia Orchestra, Walter Susskind	E♭ Major	1	5B	105 BPM
Symphonie fantastique, Op. 14: II. Un bal	Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding	A Major	1	11B	107 BPM

ISRC: GBAYD8900006
Label: L-M Records/RCA Records

Section: 0.7800507545471191

End: 0.784264326095581