- BPM
- 76
- Key
- E Major
- Camelot
- 12B
La Traviata: Ah fors' è lui … sempre libera (Recorded 1911) - Giuseppe Verdi, Luisa Tetrazzini, Walter B. Rogers Information
- Acousticness
- 99%
- Danceability
- 33%
- Energy
- 7%
- Instrumentalness
- 36%
- Liveness
- 34%
- Loudness
- 57%
- Speechiness
- 18%
- Valence
- 20%
- Popularity
- 0%
- Loudness
- -25.858 dB
Summary
Giuseppe Verdi, Luisa Tetrazzini, Walter B. Rogers's 'La Traviata: Ah fors' è lui … sempre libera (Recorded 1911)' came out on January 1, 1998. With this song being about 5 minutes long, at 4:42, "La Traviata: Ah fors' è lui … sempre libera (Recorded 1911)" by Giuseppe Verdi, Luisa Tetrazzini, Walter B. Rogers is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Tetrazzini Vol. 2". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. La Traviata: Ah fors' è lui … sempre libera (Recorded 1911) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Traviata: Ah fors' è lui … sempre libera (Recorded 1911) BPM
With La Traviata: Ah fors' è lui … sempre libera (Recorded 1911) by Giuseppe Verdi, Luisa Tetrazzini, Walter B. Rogers having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
La Traviata: Ah fors' è lui … sempre libera (Recorded 1911) Key
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Falstaff / Act 3: Dal labbro il canto estasiato | Giuseppe Verdi, Dalmacio Gonzales, Barbara Hendricks, Katia Ricciarelli, Lucia Valentini Terrani, Brenda Boozer, Los Angeles Philharmonic, Carlo Maria Giulini | A♭ Major | 0 | 4B | 127 BPM | |
 | La fille du régiment / Act 1: Ah mes amis - Pour mon âme | Gaetano Donizetti, Luciano Pavarotti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM | |
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 | Aida / Act 1: "Sì: corre voce che l'Etiope ardisca" | Giuseppe Verdi, Carlo Colombara, Andrea Bocelli, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | G Major | 2 | 9B | 102 BPM | |
 | Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | |
 | Norma (1997 Digital Remaster): Casta Diva | Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 169 BPM | |
 | L'elisir d'amore / Act 1: "Quanto è bella" | Gaetano Donizetti, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 80 BPM | |
 | Rimsky-Korsakov: The Tale of Tsar Saltan, Act 3: The Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 1 | 9B | 85 BPM |
- ISRC
- GBAJU9600590
- Label
- L-M Records/RCA Records
Section: 0.6888771057128906
End: 0.6917257308959961