Strauss, R: Dance Suite from Keyboard Pieces by François Couperin: VII. Allemande - Richard Strauss, Rudolf Kempe, Staatskapelle Dresden Information

Acousticness: 98%
Danceability: 22%
Energy: 26%
Instrumentalness: 90%
Liveness: 10%
Loudness: 78%
Speechiness: 3%
Valence: 14%
Popularity: 0%
Loudness: -13.419 dB

Summary

"Strauss, R: Dance Suite from Keyboard Pieces by François Couperin: VII. Allemande" by Richard Strauss, Rudolf Kempe, Staatskapelle Dresden was released on 2013. With this song being about 5 minutes long, at 5:11, "Strauss, R: Dance Suite from Keyboard Pieces by François Couperin: VII. Allemande" by Richard Strauss, Rudolf Kempe, Staatskapelle Dresden is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 103 in the song's album "Strauss, Richard: Complete Orchestral Works". In this album, this song's track order is #62. Based on our statistics, Strauss, R: Dance Suite from Keyboard Pieces by François Couperin: VII. Allemande's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Strauss, R: Dance Suite from Keyboard Pieces by François Couperin: VII. Allemande BPM

With Strauss, R: Dance Suite from Keyboard Pieces by François Couperin: VII. Allemande by Richard Strauss, Rudolf Kempe, Staatskapelle Dresden having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Strauss, R: Dance Suite from Keyboard Pieces by François Couperin: VII. Allemande Key

This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Pictures At An Exhibition: The Old Castle	Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini	A♭ Major	0	4B	136 BPM
Arabella, Op. 79, TrV 263: Das war sehr gut, Mandryka	Richard Strauss, Anne Schwanewilms, Gürzenich Orchester Köln, Markus Stenz	A Major	1	11B	133 BPM
Symphony No. 8 in G Minor, Op. 88, B. 163: IV. Allegro, ma non troppo	Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis	G Major	1	9B	74 BPM
Prélude à l'après-midi d'un faune, L. 86: Prélude à l'après-midi d'un faune	Claude Debussy, Concertgebouworkest, Bernard Haitink	A♭ Minor	1	1A	86 BPM
Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo	Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko	F Major	5	7B	167 BPM
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto	Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli	G Major	2	9B	87 BPM
Carmen Suite No. 1: 4. Les dragons d'Alcala	Georges Bizet, Orchestre de Paris, Semyon Bychkov	G Major	0	9B	117 BPM
Violin Concerto In D Major, Op. 35: II. Romance: Andante	Erich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André Previn	G Major	1	9B	87 BPM
Wesendonck Lieder, WWV 91: Schmerzen	Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis	C Minor	1	5A	132 BPM
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen	Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur	D♭ Major	1	3B	82 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6285538673400879

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