"Crucifixus: 2. Your Silence Is Stillness" by Paul Mealor, Tenebrae, Aurora Orchestra, Nigel Short was released on January 1, 2014. With this song being about 5 minutes long, at 5:22, "Crucifixus: 2. Your Silence Is Stillness" by Paul Mealor, Tenebrae, Aurora Orchestra, Nigel Short is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Paul Mealor's "I Saw Eternity" album is number 5 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Crucifixus: 2. Your Silence Is Stillness's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Crucifixus: 2. Your Silence Is Stillness by Paul Mealor, Tenebrae, Aurora Orchestra, Nigel Short to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brewer: Magnificat in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 92 BPM | ||
Vidi Aquam | The Concordia Choir | A♭ Minor | 0 | 1A | 81 BPM | ||
Requiem Mass, 1605: Sanctus and Benedictus | Tomás Luis de Victoria, Tenebrae, Nigel Short | D Major | 2 | 10B | 123 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
Come away, come away death, Op.18, No.1 - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | E Minor | 1 | 9A | 109 BPM | ||
With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
Wherever You Are | Paul Mealor, Cai Thomas, Choristers of St Thomas-on-The Bourne, Robert Lewis | B♭ Major | 3 | 6B | 64 BPM | ||
Salmo VI del Oficio de difuntos | Isaac Albéniz, Tansy Castledine, Carlos Fernandez Aransay | F Minor | 1 | 4A | 132 BPM | ||
Rollicum Rorum, Op.15, No.6 - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon, Amy Dickson | G Major | 2 | 9B | 130 BPM | ||
Os Justi, WAB 30 | Anton Bruckner, Tenebrae, Nigel Short | C Major | 1 | 8B | 85 BPM |
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