Willem de Fesch, Jed Wentz, Musica ad Rhenum, Manfredo Kraemer, Marion Moonen made "Concerto in G Major: Concerto No. 2 in G Major: IV. Arioso" available on January 1, 1996. With Concerto in G Major: Concerto No. 2 in G Major: IV. Arioso being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Willem De Fesch: VI Concerti Opera Quinta by Willem de Fesch, Jed Wentz, Musica ad Rhenum, Manfredo Kraemer, Marion Moonen. The song's track number on the album is #13 out of 21 tracks. In terms of popularity, Concerto in G Major: Concerto No. 2 in G Major: IV. Arioso is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Concerto in G Major: Concerto No. 2 in G Major: IV. Arioso by Willem de Fesch, Jed Wentz, Musica ad Rhenum, Manfredo Kraemer, Marion Moonen has a tempo of 92 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Concerto in G Major: Concerto No. 2 in G Major: IV. Arioso being at 92 BPM, the half-time would be 46 BPM with a double-time of 184 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
The music key of this track is D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in C Minor for Violin and Continuo, Op. 1 No. 9: I. Andante | Jean-Pierre Guignon, David Plantier, Les plaisirs du Parnasse | D Major | 1 | 10B | 96 BPM | ||
Marais: Pièces en trio: Suite No. 4 en si bémol majeur: III. Air | Marin Marais, Ensemble Amalia | A Major | 0 | 11B | 76 BPM | ||
Telemann: Der getreue Music-Meister, No. 36, Basson Sonata in F Minor, TWV 41:f1: II. Allegro | Georg Philipp Telemann, Ton Koopman, Marc Vallon, Jaap Ter Linden | B Minor | 6 | 10A | 124 BPM | ||
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: III. Allégresse. Vite - Meno mosso | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | F♯ Minor | 2 | 11A | 113 BPM | ||
Sonata terza in G minor, Parte Prima: III. Lento | Mrs Philarmonica, Le Consort | B Major | 0 | 1B | 84 BPM | ||
Telemann: Der getreue Music-Meister, No. 36, Basson Sonata in F Minor, TWV 41:f1: IV. Vivace | Georg Philipp Telemann, Ton Koopman, Marc Vallon, Jaap Ter Linden | B Minor | 6 | 10A | 124 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: I. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
Joseph, Pt. 2: II. 9B Aria Reuben O Gracious Lord, O Lord of Israel | Willem de Fesch, Nationaal Kinderkoor, Viri Cantores, Musica ad Rhenum, Jed Wentz | A♭ Minor | 1 | 1A | 76 BPM | ||
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: V. Flaterie | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | F♯ Major | 1 | 2B | 73 BPM |
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