Georg Philipp Telemann, Ton Koopman, Marc Vallon, Jaap Ter Linden made "Telemann: Der getreue Music-Meister, No. 36, Basson Sonata in F Minor, TWV 41:f1: II. Allegro" available on January 1, 1994. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 26 in the song's album "Telemann: Chamber Music". In this album, this song's track order is #16. Furthermore, we believe that the track originated from France. Based on our statistics, Telemann: Der getreue Music-Meister, No. 36, Basson Sonata in F Minor, TWV 41:f1: II. Allegro's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Telemann: Der getreue Music-Meister, No. 36, Basson Sonata in F Minor, TWV 41:f1: II. Allegro by Georg Philipp Telemann, Ton Koopman, Marc Vallon, Jaap Ter Linden having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso No. 6 in D Major: II. Con furia (After D. Scarlatti's Kk. 29) [2] | Charles Avison, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 139 BPM | ||
Baryton Trio in C Major, Hob. XI:93: I. Allegro di molto | Joseph Haydn, Valencia Baryton Project | B Major | 2 | 1B | 94 BPM | ||
Concerto grosso in D Minor, op. 8, No. 7 (Ed. G. Sechi): II. Adagio e con affetto | Giuseppe Torelli, Kammerorchester Basel, Julia Schröder | E♭ Major | 4 | 5B | 129 BPM | ||
Trio Sonata in A Minor, BuxWV 254: I. Adagio | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Telemann: Essercizii musici, Trio Sonata No. 6 for Flute, Viola da gamba and Continuo in B Minor, TWV 42:h4: II. Vivace | Georg Philipp Telemann, Ton Koopman, Wilbert Hazelzet, Marc Vallon, Jaap Ter Linden | D♭ Major | 1 | 3B | 115 BPM | ||
Recorder Concerto No. 9 in A Minor: II. Largo | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 1 | 1A | 126 BPM | ||
Sinfonia a quattro No. 1 in B-Flat Major, SF C781: III. Gavotta | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | F♯ Major | 5 | 2B | 142 BPM | ||
Concerto in D Major, TWV 51: D7: III. Grave | Georg Philipp Telemann, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | D Major | 2 | 10B | 103 BPM | ||
Hamburg Symphony No. 5 in B Minor, Wq. 182: II. Larghetto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Flute Concerto No. 2 in C Minor: I. Prelude - Lentement | Michel Pignolet de Montéclair, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | D♭ Major | 0 | 3B | 79 BPM |
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