Charles Avison, Akademie für Alte Musik Berlin, Georg Kallweit made "Concerto grosso No. 6 in D Major: II. Con furia (After D. Scarlatti's Kk. 29) [2]" available on May 6, 2022. With Concerto grosso No. 6 in D Major: II. Con furia (After D. Scarlatti's Kk. 29) [2] being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Telemann: Pimpinone, TWV 21:15". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Germany. Based on our statistics, Concerto grosso No. 6 in D Major: II. Con furia (After D. Scarlatti's Kk. 29) [2]'s popularity is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Concerto grosso No. 6 in D Major: II. Con furia (After D. Scarlatti's Kk. 29) [2] by Charles Avison, Akademie für Alte Musik Berlin, Georg Kallweit having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata a 4 in D Major, WoO 4: II. Allegro | Arcangelo Corelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | D♭ Major | 2 | 3B | 114 BPM | ||
Artaserse (added aria by Johann Adolf Hasse) : "Or la nube procellosa" | Nicola Porpora, Akademie für Alte Musik Berlin, René Jacobs, Vivica Genaux | A♭ Major | 2 | 4B | 101 BPM | ||
Concerto grosso in B-Flat Major, 1 No.3: IV. | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | E Major | 4 | 12B | 146 BPM | ||
Harpsichord Concerto in B-flat Major, Op. 13 No. 4: I. Allegro | Johann Christian Bach, Akademie für Alte Musik Berlin, Stephan Mai | D♭ Minor | 2 | 12A | 155 BPM | ||
Concerto Grosso No. 2 in G Major (after D. Scarlatti): III. Andante | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 1 | 3B | 135 BPM | ||
Concerto in D Minor, Op. 6 No. 3: II. Allegro spiritoso | Charles Avison, Café Zimmermann | G Major | 1 | 9B | 120 BPM | ||
Overture in D Major, TWV 55:D21: Overture in D Major, TWV 55:D21: I. Ouverture | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | B Major | 1 | 1B | 109 BPM | ||
Sinfonia avanti il Barcheggio for Trumpet, 2 Violins and Continuo: I. Spiritosa e staccata | Alessandro Stradella, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Major | 2 | 1B | 72 BPM | ||
Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro | Johann Sebastian Bach, Akademie für Alte Musik Berlin, Isabelle Faust | F♯ Major | 2 | 2B | 100 BPM | ||
Nisi Dominus, HWV 238: I. Nisi Dominus | George Frideric Handel, Johanna Winkel, Viktoria Wilson, Alex Potter, Hugo Hymas, Andreas Wolf, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM |
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