Nicola Porpora, Akademie für Alte Musik Berlin, René Jacobs, Vivica Genaux made "Artaserse (added aria by Johann Adolf Hasse) : "Or la nube procellosa"" available on 2002. With this song being about 5 minutes long, at 4:50, "Artaserse (added aria by Johann Adolf Hasse) : "Or la nube procellosa"" by Nicola Porpora, Akademie für Alte Musik Berlin, René Jacobs, Vivica Genaux is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 11 in Arias for Farinelli by Vivica Genaux, Akademie für Alte Musik Berlin, René Jacobs. In terms of popularity, Artaserse (added aria by Johann Adolf Hasse) : "Or la nube procellosa" is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Artaserse (added aria by Johann Adolf Hasse) : "Or la nube procellosa" by Nicola Porpora, Akademie für Alte Musik Berlin, René Jacobs, Vivica Genaux is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in G Minor - Oboe, Strings & B.C., Seibel 237: Allegro (2) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | C Major | 1 | 8B | 89 BPM | ||
Laudate pueri in G Major, RV 601 "Salmo 112": IV. Excelsus super omnes (Larghetto) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | B♭ Minor | 0 | 3A | 82 BPM | ||
Chacony in G minor Z730 | Henry Purcell, Accademia Bizantina, Stefano Montanari | F♯ Major | 2 | 2B | 37 BPM | ||
Maddalena ai piedi di Cristo: No. 18 Aria Maddalena "Pompe inutili" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr | F♯ Minor | 1 | 11A | 82 BPM | ||
Phaeton: Acte II, Chaconne | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | F Major | 2 | 7B | 130 BPM | ||
Carlo il Calvo: Scena X: Recitativo - Lottario, Berardo SCENA XI: Recitativo - Adalgiso, Lottario, Berardo SCENA XII: Recitativo - Adalgiso | Nicola Porpora, Max Emanuel Cenčić, Bruno de Sá, Franco Fagioli, George Petrou, Armonia Atenea | F♯ Major | 2 | 2B | 85 BPM | ||
Zelenka: Gesù al Calvario, ZWV 62: "S'una sol lagrima" | Jan Dismas Zelenka, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | B Minor | 1 | 10A | 91 BPM | ||
Dixit Dominus, ZWV 66: Dixit Dominus - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Major | 3 | 2B | 115 BPM | ||
Sartorio: Antonino e Pompeiano, Act 3: "La certezza di sua fede" (Pompeiano) | Antonio Sartorio, Jakub Józef Orliński, Il Pomo D'oro | D Major | 2 | 10B | 127 BPM | ||
Venus & Adonis: Overture | John Blow, Orchestra of the Age of Enlightenment, René Jacobs | D♭ Minor | 3 | 12A | 116 BPM |
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