"Symphony No. 1 in C Minor: IV. Finale. Adagio - Allegro" by Emilie Mayer, NDR Radiophilharmonie, Leo McFall was released on July 10, 2020. Since Symphony No. 1 in C Minor: IV. Finale. Adagio - Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Emilie Mayer, NDR Radiophilharmonie, Leo McFall's "Mayer: Symphonies Nos. 1 & 2" album is number 4 out of 8. On top of that, Germany appears to be the country where this track was created. Symphony No. 1 in C Minor: IV. Finale. Adagio - Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 1 in C Minor: IV. Finale. Adagio - Allegro by Emilie Mayer, NDR Radiophilharmonie, Leo McFall to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
交響曲 第40番 K.550~第4楽章 | リボル・ペシェック, Czech National Symphony Orchestra | G Minor | 3 | 6A | 133 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | F Major | 6 | 7B | 154 BPM | ||
Capriol Suite: IV. Bransles | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 2 | 7A | 90 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
The Seven Last Words of our Saviour on the Cross, Op. 51 (Hob.III. 50-56): 9. Il Terremoto (Presto e con tutta la forza) | Joseph Haydn, Berliner Philharmoniker, Riccardo Muti | F Minor | 1 | 4A | 62 BPM | ||
String Quintet No. 3, Op. 97: III. Larghetto | Antonín Dvořák, Jerusalem Quartet, Veronika Hagen | A♭ Minor | 1 | 1A | 114 BPM | ||
Suite in the Old Style: II. Ballet | Alfred Schnittke, Daniel Hope, Alexey Botvinov | D Major | 3 | 10B | 117 BPM | ||
Symphony No. 1, Op. 11: II. Andante | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Symphony No. 1 in D Major, Op. 25: I. Allegro | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM | ||
Keyboard Sonata No. 53 in E Minor, Hob.XVI:34: I. Presto | Joseph Haydn, Jenő Jandó | C Major | 2 | 8B | 146 BPM |
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