"The Seven Last Words of our Saviour on the Cross, Op. 51 (Hob.III. 50-56): 9. Il Terremoto (Presto e con tutta la forza)" by Joseph Haydn, Berliner Philharmoniker, Riccardo Muti was released on March 26, 1993. With The Seven Last Words of our Saviour on the Cross, Op. 51 (Hob.III. 50-56): 9. Il Terremoto (Presto e con tutta la forza) being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Joseph Haydn, Riccardo Muti, Berliner Philharmoniker's "Haydn: The Seven Last Words Of Our Saviour On The Cross" album is number 9 out of 9. On top of that, Netherlands appears to be the country where this track was created. The Seven Last Words of our Saviour on the Cross, Op. 51 (Hob.III. 50-56): 9. Il Terremoto (Presto e con tutta la forza) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Seven Last Words of our Saviour on the Cross, Op. 51 (Hob.III. 50-56): 9. Il Terremoto (Presto e con tutta la forza) by Joseph Haydn, Berliner Philharmoniker, Riccardo Muti to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Clarinet No. 2 in E-Flat Major, Op. 74: I. Allegro | Carl Maria von Weber, Alberto Lizzio, North German Philharmonic Orchestra, Alexander Ivanov | A Major | 2 | 11B | 80 BPM | ||
Zanetta, S. 33 (Excerpts): Act III Entr'acte | Daniel Auber, Janacek Philharmonic Orchestra, Dario Salvi | A♭ Major | 2 | 4B | 110 BPM | ||
Pictures at an Exhibition: Promenade (I) | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 2 | 5B | 89 BPM | ||
Die Walküre, WWV 86B, Act I: Their Flight | Richard Wagner, Berliner Philharmoniker, Lorin Maazel | E Minor | 4 | 9A | 101 BPM | ||
Sinfonia concertante in D Major: Symphony in D Major | Gaetano Donizetti, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 71 BPM | ||
The Seven Last Words of our Saviour on the Cross, Op. 51 (Hob.III. 50-56): 1. Introduzione (Maestoso ed Adagio) | Joseph Haydn, Berliner Philharmoniker, Riccardo Muti | D Minor | 0 | 7A | 72 BPM | ||
Symphony No. 4 In D Minor, Op. 120: 3. Scherzo | Robert Schumann, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 125 BPM | ||
Czech Suite, Op. 39: V. Finale | Antonín Dvořák, Janacek Philharmonic Orchestra, Theodore Kuchar | F♯ Major | 1 | 2B | 86 BPM | ||
Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": II. Andante quasi Allegretto (2nd version, 1878–80) | Anton Bruckner, Berliner Philharmoniker, Bernard Haitink | A Minor | 8 | 8A | 118 BPM | ||
Jeux d'enfants, Op. 22 - Petite Suite for Orchestra: 5. Galop: Le bal | Georges Bizet, Paris Conservatoire Orchestra, Jean Martinon | D♭ Major | 0 | 3B | 66 BPM |
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