Jeux d'enfants, Op. 22 - Petite Suite for Orchestra: 5. Galop: Le bal - Georges Bizet, Paris Conservatoire Orchestra, Jean Martinon Information

Acousticness: 100%
Danceability: 52%
Energy: 2%
Instrumentalness: 90%
Liveness: 10%
Loudness: 53%
Speechiness: 6%
Valence: 13%
Popularity: 10%
Loudness: -28.381 dB

Summary

"Jeux d'enfants, Op. 22 - Petite Suite for Orchestra: 5. Galop: Le bal" by Georges Bizet, Paris Conservatoire Orchestra, Jean Martinon was released on January 13, 2024. With Jeux d'enfants, Op. 22 - Petite Suite for Orchestra: 5. Galop: Le bal being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 19th Century Classical, so we believe that "Jeux d'enfants, Op. 22 - Petite Suite for Orchestra: 5. Galop: Le bal" is a single. Jeux d'enfants, Op. 22 - Petite Suite for Orchestra: 5. Galop: Le bal is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Jeux d'enfants, Op. 22 - Petite Suite for Orchestra: 5. Galop: Le bal BPM

The tempo marking of Jeux d'enfants, Op. 22 - Petite Suite for Orchestra: 5. Galop: Le bal by Georges Bizet, Paris Conservatoire Orchestra, Jean Martinon is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Jeux d'enfants, Op. 22 - Petite Suite for Orchestra: 5. Galop: Le bal Key

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
L’arlésienne Suite No. 2 (Arr. E. Guiraud): I. Pastorale	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	A Major	0	11B	117 BPM
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra]	Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz	A Minor	0	8A	70 BPM
Symphony No.3 in F, Op.90: 3. Poco allegretto	Johannes Brahms, Cleveland Orchestra, Lorin Maazel	C Minor	0	5A	75 BPM
Jazz Suite No. 1: II. Polka	Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky	C Major	2	8B	134 BPM
Gounod: Faust, CG 4, Act 2 Scene 5: Waltz	Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker	D Major	2	10B	92 BPM
Polovetsian Dances from Prince Igor: Introduzione	Alexander Borodin, George Szell, Cleveland Orchestra	A Major	1	11B	83 BPM
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo)	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	G Minor	0	6A	81 BPM
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto	Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze	B♭ Major	0	6B	83 BPM
Carmen (1997 - Remaster), Act I: Que se passe-t-il donc là-bas?...Au secours!	Georges Bizet, Jacques Mars/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra	D Major	3	10B	75 BPM
Carmen Suite No. 1: 1. Prélude	Georges Bizet, Orchestre de Paris, Semyon Bychkov	A Minor	1	8A	96 BPM

ISRC: GBF076010705
Label: L-M Records/RCA Records

Section: 0.7488687038421631

End: 0.7525420188903809