"Maidan 2014 / Cycle II: II. Lacrimosa" by Valentin Silvestrov, Kiev Chamber Choir, Mykola Hobdych was released on September 30, 2022. The duration of Maidan 2014 / Cycle II: II. Lacrimosa is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Maidan 2014 / Cycle II: II. Lacrimosa's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Valentin Silvestrov: Maidan by Valentin Silvestrov, Kiev Chamber Choir, Mykola Hobdych. The song's track number on the album is #5 out of 24 tracks. Based on our data, Germany was the country where this track was produced or recorded. Maidan 2014 / Cycle II: II. Lacrimosa is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Maidan 2014 / Cycle II: II. Lacrimosa by Valentin Silvestrov, Kiev Chamber Choir, Mykola Hobdych has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Maidan 2014 / Cycle II: II. Lacrimosa being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
The music key of this track is F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | C Major | 0 | 8B | 66 BPM | ||
Les Indes galantes: Musette (arr. I. Friedman for piano) | Ignaz Friedman, Jean-Philippe Rameau, Joseph Banowetz | G Major | 0 | 9B | 152 BPM | ||
Sarabande Variations (from Suite in D Minor, HWV 437): Variation VIII | George Frideric Handel, Martin Stadtfeld | D♭ Major | 0 | 3B | 74 BPM | ||
Spohr: Symphonie Concertante for Violin, Harp and Orchestra in G Major, WoO 13 - II. Adagio | Louis Spohr, María Dueñas, Volker Kempf, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 92 BPM | ||
Prelude in C Minor - Upright Piano | John Field, Alice Sara Ott | C Minor | 0 | 5A | 138 BPM | ||
Dvorák / Transc. Lenaerts: Rusalka, Op. 114, Act 1: Song to the Moon | Antonín Dvořák, Anneleen Lenaerts | F♯ Major | 0 | 2B | 168 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
33 Miniatures for Piano (Excerpts): No. 22, Grazioso | Giya Kancheli, Elisaveta Blumina | F Major | 0 | 7B | 0 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Alfred Brendel | F Major | 0 | 7B | 135 BPM | ||
Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM |
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