Trio Sonata No. 3 in D Minor, BWV 527: I. Andante (Arr. R. Gwilt)
Johann Sebastian Bach, London Baroque
Bach, J.S.: Trio Sonatas, Bwv 525-530
4:35 July 1, 2002
BPM
101
Key
D♭ Major
Camelot
3B

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Trio Sonata No. 3 in D Minor, BWV 527: I. Andante (Arr. R. Gwilt) - Johann Sebastian Bach, London Baroque Information

Acousticness
84%
Danceability
46%
Energy
42%
Instrumentalness
20%
Liveness
17%
Loudness
78%
Speechiness
5%
Valence
20%
Popularity
Loudness
-12.959 dB

Summary

Johann Sebastian Bach, London Baroque's 'Trio Sonata No. 3 in D Minor, BWV 527: I. Andante (Arr. R. Gwilt)' came out on July 1, 2002. With this song being about 5 minutes long, at 4:35, "Trio Sonata No. 3 in D Minor, BWV 527: I. Andante (Arr. R. Gwilt)" by Johann Sebastian Bach, London Baroque is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 18 in Bach, J.S.: Trio Sonatas, Bwv 525-530 by Johann Sebastian Bach, London Baroque. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Trio Sonata No. 3 in D Minor, BWV 527: I. Andante (Arr. R. Gwilt) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Trio Sonata No. 3 in D Minor, BWV 527: I. Andante (Arr. R. Gwilt) BPM

The tempo marking of Trio Sonata No. 3 in D Minor, BWV 527: I. Andante (Arr. R. Gwilt) by Johann Sebastian Bach, London Baroque is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Trio Sonata No. 3 in D Minor, BWV 527: I. Andante (Arr. R. Gwilt) Key

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

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ISRC
SEAEN0245070
Label
L-M Records/RCA Records

Section: 1.1526613235473633

End: 1.1561665534973145