William Walton, Matthew Jones, Annabel Thwaite's 'Violin Sonata: Var. 7, Andante tranquillo' came out on November 27, 2020. The duration of Violin Sonata: Var. 7, Andante tranquillo is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Violin Sonata: Var. 7, Andante tranquillo's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Walton: Chamber Works by William Walton, Matthew Jones, Sarah-Jane Bradley, Tim Lowe, Annabel Thwaite. The song's track number on the album is #16 out of 17 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Based on our statistics, Violin Sonata: Var. 7, Andante tranquillo's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Violin Sonata: Var. 7, Andante tranquillo by William Walton, Matthew Jones, Annabel Thwaite has a tempo of 135 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Violin Sonata: Var. 7, Andante tranquillo being at 135 BPM, the half-time would be 68 BPM with a double-time of 270 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
The music key of this track is E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
Touch Her Soft Lips and Part | William Walton, Amy Dickson, London Session Orchestra | F Major | 1 | 7B | 71 BPM | ||
Five Bagatelles: I. Allegro | William Walton, Sean Shibe | D Major | 1 | 10B | 116 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song) | Felix Mendelssohn, Péter Nagy | G Minor | 0 | 6A | 72 BPM | ||
Montero: Adagio (After Bach's Violin Concerto No. 2, BWV 1042) | Johann Sebastian Bach, Gabriela Montero | F♯ Minor | 0 | 11A | 73 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Andante | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 173 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Facade: Tango-Pasodoble | William Walton, The English Opera Group Ensemble, Sir Peter Pears, Anthony Collins, Dame Edith Sitwell | E♭ Minor | 5 | 2A | 119 BPM | ||
6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 69 BPM | ||
Variation 1: L'istesso tempo | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | A Major | 0 | 11B | 52 BPM |
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