Jozef Zsapka, Dagmar Zsapka made "Histoire du Tango: IV. Concerto d'Aujourd'hui" available on May 5, 2009. The duration of Histoire du Tango: IV. Concerto d'Aujourd'hui is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Histoire du Tango: IV. Concerto d'Aujourd'hui's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Works for Flute and Guitar: Piazzolla, Vivaldi, Almeida, Ravel, Rodrigo and Castelnuovo-Tedesco by Bohdan Warchal. The song's track number on the album is #4 out of 15 tracks. Based on our statistics, Histoire du Tango: IV. Concerto d'Aujourd'hui's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Histoire du Tango: IV. Concerto d'Aujourd'hui by Jozef Zsapka, Dagmar Zsapka has a tempo of 154 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Histoire du Tango: IV. Concerto d'Aujourd'hui being at 154 BPM, the half-time would be 77 BPM with a double-time of 308 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM | ||
Bach, CPE: Flute Concerto in A Minor, Wq. 166: I. Allegro assai | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | A Minor | 2 | 8A | 87 BPM | ||
Waltz No. 12 in F Minor, Op. 70 No. 2 | Frédéric Chopin, Stephen Hough | A♭ Major | 0 | 4B | 76 BPM | ||
Sinfonia in F major, F. 67: IV. Menuetto I-II | Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | F Major | 0 | 7B | 122 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei (Arr. Cello & Piano) | Robert Schumann, Lynn Harrell, Bruno Canino | F Major | 0 | 7B | 67 BPM | ||
Trio in C Major: I. Marcia: Moderato | Leonhard von Call, Anna Holbling, Quido Holbling, Ján Slávik, Jozef Zsapka | C Major | 1 | 8B | 118 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM | ||
Valses Poéticos H. 147, DLR 7:8: No. 1: Melódico | Enrique Granados, Xavier De Maistre | A Major | 0 | 11B | 149 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: I. Allegro assai: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 3 | 8B | 114 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM |
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