Efraín Amaya, The Point Chamber Orchestra, Amadis Amaya, Charlene Canty, Sean Donaldson, Anne Rago, Kimberly Steinhauer's 'Phantasmagorilla? No! Phantasmagoria: It is you!! You! Who is kiling' came out on February 1, 2009. With Phantasmagorilla? No! Phantasmagoria: It is you!! You! Who is kiling being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 36 in the song's album "Phantasmagorilla? No! Phantasmagoria". In this album, this song's track order is #12. Phantasmagorilla? No! Phantasmagoria: It is you!! You! Who is kiling is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Phantasmagorilla? No! Phantasmagoria: It is you!! You! Who is kiling by Efraín Amaya, The Point Chamber Orchestra, Amadis Amaya, Charlene Canty, Sean Donaldson, Anne Rago, Kimberly Steinhauer having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Gerettet ist das edle Glied" | Gustav Mahler, Wiener Singverein, Vienna State Opera Chorus, Vienna Boys' Choir, Chicago Symphony Orchestra, Sir Georg Solti | F Major | 1 | 7B | 85 BPM | ||
Carmen, Act I: No.6 Scène : Carmen! sur tes pas nous nous pressons tous! (Jeunes gens/Cigarières) | Georges Bizet, Choeur Les Elements, Orchestre National Du Capitole De Toulouse, Michel Plasson, Wolff | A Minor | 0 | 8A | 125 BPM | ||
Considering Matthew Shepard: Passion, 7. The Fence (that night) | Craig Hella Johnson, Conspirare | D Minor | 1 | 7A | 104 BPM | ||
Carmina Burana: Swaz hie gat umbe | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | C Major | 0 | 8B | 130 BPM | ||
Requiem, Op. 48: VII. In Paradisum | Gabriel Fauré, Robert Shaw, Atlanta Symphony Orchestra | D Major | 1 | 10B | 99 BPM | ||
Dona Nobis Pacem: Beat! Beat! Drums! | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | F Major | 4 | 7B | 120 BPM | ||
Sleep | Ivor Gurney, Ian Bostridge, Julius Drake | B♭ Minor | 0 | 3A | 99 BPM | ||
Haugtussa, Op. 67: III. Blåbaer-li | Charlotte Hoather, George Todica | F Major | 2 | 7B | 92 BPM | ||
Adams: Girls of the Golden West, Act I Scene 3: Josefa, you remember | John Adams, Los Angeles Philharmonic, Daniela Mack, Elliot Madore | A♭ Major | 3 | 4B | 83 BPM | ||
2 Practical Cats: No. 2, Growltiger's Last Stand | Humphrey Searle, Patrick Mason, David Starobin, Susan Palma-Nidel, Timothy Eddy | D♭ Major | 1 | 3B | 80 BPM |
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