Amadeo Vives, Antoni Ros Marbá, Orquesta Sinfonica De Tenerife, Maria Bayo's 'Doña Francisquita: No. 8, Era Una Rosa Que un Jardín' came out on January 1, 1997. With this song being about 5 minutes long, at 5:01, "Doña Francisquita: No. 8, Era Una Rosa Que un Jardín" by Amadeo Vives, Antoni Ros Marbá, Orquesta Sinfonica De Tenerife, Maria Bayo is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Plácido Domingo, María Bayo: Romanzas". In this album, this song's track order is #10. Furthermore, we believe that the track originated from France. The popularity of Doña Francisquita: No. 8, Era Una Rosa Que un Jardín is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Doña Francisquita: No. 8, Era Una Rosa Que un Jardín by Amadeo Vives, Antoni Ros Marbá, Orquesta Sinfonica De Tenerife, Maria Bayo having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Soldado de Napoles | Orquesta Sinfónica Española | C Major | 2 | 8B | 117 BPM | ||
Bohemios, Act I: La Niña de Ojos Azules (Cosette, Pelagia) | Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Maria Bayo, Rosa Maria Ysas | B♭ Major | 2 | 6B | 64 BPM | ||
Molinos de Viento: Concertante | Marcos Redondo, Delfín Pulido, Felisa Herrero | E Major | 2 | 12B | 77 BPM | ||
La Gatita Blanca - selección de J. F. Pacheco | G. Gimenez, Amadeo Vives, Ensamble de Madrid | D Major | 1 | 10B | 75 BPM | ||
La tarántula é un bicho mú malo (La Tempranica) | Geronimo Gimenez, Fatma Said, Sascha Goetzel, Orchestre Philharmonique de Monte-Carlo | C Major | 1 | 8B | 116 BPM | ||
Bohemios: "Parte I": Mudos Testigos de Mis Amores | Amadeo Vives, Rafael Frühbeck de Burgos | E♭ Major | 3 | 5B | 114 BPM | ||
El Barber: 6 Prelidio Acto III | Orfeon Donostiarra | A Major | 3 | 11B | 136 BPM | ||
Doña Francisquita, Act I: Cuando un Hombre se Quiere Casar, Pt. 2 (Coro) | Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Coro Polifonico de la Universidad de la Laguna Rondalla de Tenerife | A♭ Major | 1 | 4B | 64 BPM | ||
Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Donizetti: Lucia di Lammermoor, Act 3: "Spargi d'amaro pianto" (Lucia, Raimondo, Chorus, Enrico) | Gaetano Donizetti, Maria Callas, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobbi, Tullio Serafin | D Major | 1 | 10B | 169 BPM |
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