Geronimo Gimenez, Fatma Said, Sascha Goetzel, Orchestre Philharmonique de Monte-Carlo's 'La tarántula é un bicho mú malo (La Tempranica)' came out on September 2, 2022. With La tarántula é un bicho mú malo (La Tempranica) being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Fatma Said's "Kaleidoscope" album is number 9 out of 20. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, La tarántula é un bicho mú malo (La Tempranica) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of La tarántula é un bicho mú malo (La Tempranica) by Geronimo Gimenez, Fatma Said, Sascha Goetzel, Orchestre Philharmonique de Monte-Carlo to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serse / Act 1, HWV 40: "Ombra mai fu" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 175 BPM | ||
Lucia di Lammermoor: Act III: Spargi d'amaro pianto | Gaetano Donizetti, Pretty Yende, Giacomo Sagripanti | E♭ Major | 2 | 5B | 121 BPM | ||
Madama Butterfly / Act II: "Un bel dì vedremo" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | F♯ Major | 1 | 2B | 86 BPM | ||
Audi Deus (salmo 60) | Orfeón de Miravalles | B♭ Major | 4 | 6B | 203 BPM | ||
Bizet: Carmen, Act 1: "Près des remparts de Séville" (Seguédille) [Carmen] | Georges Bizet, Maria Callas, Georges Prêtre, Orchestra of the Royal Opera House, Covent Garden | G Major | 1 | 9B | 83 BPM | ||
Zelenka: Laetatus sum, ZWV 90: V. Gloria. Adagio | Jan Dismas Zelenka, Jakub Józef Orliński, Fatma Said, Francesco Corti, Il Pomo D'oro | B♭ Minor | 3 | 3A | 66 BPM | ||
Le nozze di Figaro / Act 1: "Non so più cosa son, cosa faccio" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Vienna Chamber Orchestra, György Fischer | E♭ Major | 1 | 5B | 77 BPM | ||
Adriana Lecouvreur: Poveri fiori | Francesco Cilea, Anna Netrebko, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | D Minor | 2 | 7A | 76 BPM | ||
La vie parisienne / Act I: "Je suis brésilien" (Arr. for Tenor, Cello and Orchestra by Alessandro Bares) - Bonus Track | Jacques Offenbach, Rolando Villazón, Camille Thomas, Orchestre National de Lille, Alexandre Bloch | F Major | 3 | 7B | 137 BPM | ||
Por una cabeza | Carlos Gardel, Fatma Said, Quinteto Ángel | C Major | 1 | 8B | 116 BPM |
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