"Fugure humaine, FP 120: VII. La menace sous le ciel rouge" by Francis Poulenc, Danish National Radio Chamber Choir, Stefan Parkman, Elisabeth Rehling, Birgitte Frieboe, Arne Elkrog was released on July 1, 1991. The duration of Fugure humaine, FP 120: VII. La menace sous le ciel rouge is about 3 minutes long, at 3:15. Based on our data, "Fugure humaine, FP 120: VII. La menace sous le ciel rouge" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Danish National Radio Chamber Choir, Stefan Parkman's "Masters of Twentieth-century A Cappella" album is number 17 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Fugure humaine, FP 120: VII. La menace sous le ciel rouge is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fugure humaine, FP 120: VII. La menace sous le ciel rouge by Francis Poulenc, Danish National Radio Chamber Choir, Stefan Parkman, Elisabeth Rehling, Birgitte Frieboe, Arne Elkrog to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes, Op. 11: No. 11 in B Major | Alexander Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 74 BPM | ||
Symphony in B Minor (arr. T. Finno for orchestra): I. Allegro ben marcato | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | C Major | 1 | 8B | 99 BPM | ||
Prélude in A Minor | Maurice Ravel, Benjamin Grosvenor | G Minor | 0 | 6A | 98 BPM | ||
13 Préludes, Op. 32: No. 5 in G Major. Moderato | Sergei Rachmaninoff, Boris Giltburg | B♭ Major | 0 | 6B | 66 BPM | ||
Kinderszenen, Op. 15: No. 1, Von fremden Ländern und Menschen | Robert Schumann, Vladimir Horowitz | G Major | 0 | 9B | 70 BPM | ||
Nocturne No. 5 in B-Flat Major | John Field, Benjamin Frith | B♭ Major | 0 | 6B | 73 BPM | ||
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | C Major | 0 | 8B | 66 BPM | ||
Concerto pour deux pianos et orchestre en ré mineur, FP 61: II. Larghetto | Francis Poulenc, Eric Le Sage, Frank Braley, Orchestre Philharmonique de Liège, Stéphane Denève | E Major | 5 | 12B | 85 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM |
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