"Black Swan (after Brahms' 6 Piano Pieces, Op. 118: No. 2. Intermezzo in A Major)" by Bright Sheng, Seattle Symphony Orchestra, Gerard Schwarz was released on June 7, 2011. Since Black Swan (after Brahms' 6 Piano Pieces, Op. 118: No. 2. Intermezzo in A Major) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 9 in Echoes: Classic Works Transformed by Gerard Schwarz. Black Swan (after Brahms' 6 Piano Pieces, Op. 118: No. 2. Intermezzo in A Major) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Black Swan (after Brahms' 6 Piano Pieces, Op. 118: No. 2. Intermezzo in A Major) by Bright Sheng, Seattle Symphony Orchestra, Gerard Schwarz is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Rhapsody Under A High Sky | Archibald James Potter, RTE Sinfonietta, Proinnsias O'Duinn | C Major | 1 | 8B | 106 BPM | ||
An Outdoor Overture | Aaron Copland, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 112 BPM | ||
Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | B♭ Major | 1 | 6B | 97 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM | ||
I. Allegro | Johann Sebastian Bach, Gerard Schwarz, Los Angeles Chamber Orchestra | C Major | 0 | 8B | 94 BPM | ||
Chant du rossignol (Song of the Nightingale): Le Chant du rossignol | Igor Stravinsky, Seattle Symphony Orchestra, Gerard Schwarz | B♭ Major | 0 | 6B | 94 BPM | ||
Symphony No. 4: I. Allegretto | David Diamond, Seattle Symphony Orchestra, Gerard Schwarz | D Minor | 0 | 7A | 140 BPM | ||
The Firebird Suite *: Firebird: Lullaby | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | A♭ Minor | 0 | 1A | 66 BPM | ||
Pavane pour une infante défunte, M. 19 | Maurice Ravel, Anna Vinnitskaya | E Minor | 0 | 9A | 67 BPM |
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