"Doña Francisquita - Romanza de Fernando - Por el Humo" by Alfredo Kraus was released on July 18, 2014. With this song being about 5 minutes long, at 5:16, "Doña Francisquita - Romanza de Fernando - Por el Humo" by Alfredo Kraus is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 13 out of 40 in Canciones y Romanzas by Alfredo Kraus. In terms of popularity, Doña Francisquita - Romanza de Fernando - Por el Humo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Doña Francisquita - Romanza de Fernando - Por el Humo by Alfredo Kraus is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Die Fledermaus: Act II: Introduction: Ein Souper heut' uns winkt | Johann Strauss II, Peter Edelmann, Silvana Dussmann, Ute Gfrerer, Marion Rainer, Paul Armin Edelmann, Artur Stefanowicz, Thomas Lind, Waldemar Kmentt, Thaddaus Podgorski, Franz Jirsa, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf Bibl | F Major | 1 | 7B | 94 BPM | ||
Pagliacci / Act 1: "Recitar!" - "Vesti la giubba" | Ruggero Leoncavallo, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | E Minor | 2 | 9A | 83 BPM | ||
El Barberillo de Lavapies (Canción de Paloma) | Teresa Berganza | A Major | 3 | 11B | 143 BPM | ||
Turandot: Tu, che di gel sei cinta | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | B Major | 2 | 1B | 87 BPM | ||
Al Di La | Donida, Mogol, Molina, Alfredo Kraus, Andre Toffel, Domenico Modugno, Eleazar MartÍnez, Emilio Pericoli, Jean Febrar, Jean Febrer, Los Pianos Barracos, Violenes Magicos de Villafontana | F♯ Major | 10 | 2B | 125 BPM | ||
Chorus Of The Hebrew Slaves (Nabucco) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | D♭ Major | 0 | 3B | 142 BPM | ||
La Boheme, erster Akt: Questo Mar Rosso | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F Major | 4 | 7B | 78 BPM | ||
La Traviata: Libiamo, ne' lieti calici (Brindisi) | Giuseppe Verdi, Laura Zanini, Vito Susca, Orquesta Sinfonica del Teatro Nacional de Santa Carlos, Lisboa, Alvaro Malta, Alessandro Maddalena, Alfredo Kraus, Franco Ghione, Piero de Palma, Coro del Teatro Nacional de Santa Carlos, Lisboa, Maria Callas | D♭ Major | 2 | 3B | 89 BPM | ||
Agua, azucarillos y aguardiente: Coro de barquilleros | Pablo Sorozábal | D♭ Major | 4 | 3B | 124 BPM | ||
La Traviata, Teil 3 | La Traviata | B♭ Major | 0 | 6B | 0 BPM |
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