- BPM
- 168
- Key
- A♭ Minor
- Camelot
- 1A
Jeux (Poème dansé), L. 126 - Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit Information
- Acousticness
- 96%
- Danceability
- 10%
- Energy
- 12%
- Instrumentalness
- 79%
- Liveness
- 8%
- Loudness
- 63%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 7%
- Loudness
- -22.268 dB
Summary
"Jeux (Poème dansé), L. 126" by Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit was released on January 1, 1989. Jeux (Poème dansé), L. 126 appears to be safe for all ages as it is not explicit. The song is number 4 out of 9 in Debussy: La Mer; Jeux; Prélude à l'après-midi d'un faune; Le Martyre de Saint Sébastien (Symphonic Fragments) by Claude Debussy, Charles Dutoit, Orchestre Symphonique de Montréal. The popularity of Jeux (Poème dansé), L. 126 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Jeux (Poème dansé), L. 126 BPM
The tempo marking of Jeux (Poème dansé), L. 126 by Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
Jeux (Poème dansé), L. 126 Key
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Allegro maestoso | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | C Minor | 1 | 5A | 80 BPM | |
 | The Rite of Spring: Part One: Adoration of the Earth: Game of Abduction | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 96 BPM | |
 | Piano Concerto in F-Sharp Minor, Op. 20: II. Andante | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | F♯ Major | 0 | 2B | 62 BPM | |
 | Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 74 BPM | |
 | String Quartet No.12 In F Major, Op.96 - "American" B.179: 4. Finale (Vivace ma non troppo) | Antonín Dvořák, Hagen Quartett | F Major | 1 | 7B | 80 BPM | |
 | Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | |
 | Appalachian Spring: VIII. Coda. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 106 BPM | |
 | Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | F Major | 2 | 7B | 130 BPM | |
 | Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | |
 | Liszt: Piano Concerto No. 2 in A Major, S. 125: IV. Allegro animato | Franz Liszt, Boris Berezovsky, Hugh Wolff, Philharmonia Orchestra | A Major | 3 | 11B | 98 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7322006225585938
End: 0.7377619743347168