"Schnittke: String Quartet No. 3: III. Pesante" by Alfred Schnittke, Borodin Quartet was released on January 1, 1991. Since Schnittke: String Quartet No. 3: III. Pesante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Schnittke: String Quartet No. 3, Piano Quartet & Piano Quintet - Mahler: Piano Quartet". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Schnittke: String Quartet No. 3: III. Pesante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schnittke: String Quartet No. 3: III. Pesante by Alfred Schnittke, Borodin Quartet having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vielle prière bouddhique (Prière quotidienne pour tout l'Univers) For Tenor, Chorus And Orchestra | Lili Boulanger, Julian Podger, The Monteverdi Choir, London Symphony Orchestra, John Eliot Gardiner | F Minor | 1 | 4A | 83 BPM | ||
Concerto Saint Marc: III. Andante | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | G Minor | 0 | 6A | 60 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: I. Kyrie | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | C Major | 3 | 8B | 118 BPM | ||
Ravel / Arr. Grainger: Miroirs, M. 43: V. La vallée des cloches | Maurice Ravel, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | D♭ Major | 0 | 3B | 140 BPM | ||
Naqoyqatsi | Philip Glass, Matt Haimovits, Dennis Russell Davies, Cincinnati Symphony Orchestra | E♭ Major | 3 | 5B | 155 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Cello Concerto in C Minor, Op. 43: II. Moderato | Mieczysław Weinberg, Marina Tarasova, Musica Viva Chamber Orchestra, Alexander Rudin | D Minor | 1 | 7A | 137 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM |
Section: 0.6637363433837891
End: 0.6705985069274902